Drawing Quiz

Front 1

Color

Back 1

MOST COMPLEX

Is an element of art with three properties1) Hue, the name of the color, e.g. red, yellow, etc. 2) Intensity or the purity and strength of the color such as bright ness or dullness. And 3) value, or the lightness or darkness of the color.

Front 2

Value

Back 2

next complex

describes the lightness or darkness of a color. Value is needed to express Volume.

Front 3

line

Back 3

most fundamental

xis an element of art which refers to the continuos mark made on some surface by a moving point. It may be two dimensional, like a pencil mark on a paper or it may be three dimensional(wire) or implied( the edge of a shape or form) often it is a outline,contour or silhouette.

Front 4

space

Back 4

refers to the distance or area between, around, above or within things. It can be a description for both 2 and 3 dimensional portrayals.

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shape

Back 5

is an enclosed space defined by other elements of art. shapes may take on the appearance of two-d or three- objects.

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texture

Back 6

refers to the surface quality or "feel" of an object, such as roughness, smoothness, or softness. Actual texture can be felt while simulated textures are implied by the way the artist renders areas of the picture

Front 7

mass

Back 7

mass occupies a three-dimensional volume

Front 8

form

Back 8

is an element of art that is three-dimensional and encloses volume. Cubes ,spheres,and cylinders are examples of various forms.

Front 9

movement

Back 9

adds excitement to your work by showing action and directing the viewers eye throughout the picture plane.

Front 10

time

Back 10

time

Front 11

Unity

Back 11

is seen in a painting or drawing when all the parts equal a whole. Your work should not appear disjointed or confusing.

Front 12

Variety

Back 12

refers to the differences in the work, You can achieve variety by using difference shapes, textures, colors and values in your work.

Front 13

Balance

Back 13

is a sense of stability in the body of work. Balance can be created by repeating same shapes and by creating a feeling of equal weight.

Front 14

Rhythm

Back 14

is a type of movement in drawing and painting. It is seen in repeating of shapes and colors. Alternating lights and darks also give a sense of rhythm.

Front 15

Pattern

Back 15

a repetitive motif or design.

Front 16

Emphasis/focal point

Back 16

in a composition refers to developing points of interest to pull the viewer's eye to important parts of the body of the work.

Front 17

subordination

Back 17

Making an element appear to hold a secondary or lesser importance within a design or work of art.

Front 18

Harmony

Back 18

is achieved in a body of work by using similar elements throughout the work, harmony gives an uncomplicated look to your work.

Front 19

proportion

Back 19

or scale refers to the relationships of the size of objects in a body of work. Proportions gives a sense of size seen as a relationship of objects. such as smallness or largeness.

Front 20

repetition

Back 20

recurring shapes, lines, colors, and values that create rhythmic linkage.

Front 21

Composition

Back 21

The plan, placement or arrangement of the elements of art in a work. It is often useful to discuss these in reference to the principles of design, as well as to the relative weight of hte composition's part

Front 22

Elements of Art

Back 22

the elements of art are among the literal qualities found in any artwork. They are the basic components used by the artist when producing works of art

color, space, line, shape, texture, value, volume, mass, form, movement, time

Front 23

Principles of Design

Back 23

Certain qualities inherent in the choice and arrangement of elements of art in the production of a work of art. Artists "design" their works to varying degrees by controlling and ordering the elements of art. Considering the principles is especially useful in analyzaing ways in which a work is pleasing in formal ways How any work exhibits applications of these principles can further or modify other characterstics of a work as well.

Some principles overlap or oppose others, and some are viewed as more important, more ideal, more relevant or irrelevant (or even undesirable) than others. So it is understandable that various ahtoirit'es lists

Front 24

Drawing

Back 24

the depiction of shapes and forms on a surface chiefly by means of lines. Color and shading may be included. A major fine art technique in itself, drawing is the basis of all pictorial representation, and an early step in most art activities.

Front 25

The initial sketch/gesture drawing

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a quick drawing that loosely captures the appearance or action of a place or situation. Sketches are often done in preparation for largere, more detailed works of art. Emotional

Front 26

Structural analysis drawing

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There is a clarification of spatial depth, dimension, proportions, shape relationships, and structure, etc. through SIGHT MEASURING and the use of diagrammatic line and structural line. ANALYTICAL AND LOGICAL

Front 27

Value drawing

Back 27

Form, volume, and surface can be developed and through value, and with drawings where values represent ligt, the value contrasts can denote the forms, the spaces surrouding them, and the shadows they cast. These contrasts conform to six discernible division.s

Front 28

Highlight

Back 28

the lightest part

Front 29

light tone

Back 29

next to highlight

Front 30

half tone

Back 30

middle

Front 31

core shadow

Back 31

darkest area

Front 32

relfected light

Back 32

in core shadow (darkest area)

Front 33

tone

Back 33

level of light/dark

Front 34

value key

Back 34

greyscale

Front 35

format

Back 35

composition

Front 36

graphic

Back 36

strong contrast

Front 37

charcoal

Back 37

made through burning, drawing medium

Front 38

contour

Back 38

outside lines

Front 39

local tone

Back 39

actual color - no value of object

Front 40

positive space

Back 40

positive space

Front 41

sight measuring

Back 41

measuring with thumb

Front 42

picture plane

Back 42

surface drawing on

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calligraphic

Back 43

writing

Front 44

graphite

Back 44

drwaing medium

Front 45

collage

Back 45

collage

Front 46

negative space

Back 46

where nothing is going on, white space

Front 47

hatching cross hatching

Back 47

creates values, criss cross lines

Front 48

line quality

Back 48

how thick or think a line is

Front 49

pastel

Back 49

an art medium in the form of a stick, consisting of pure powdered pigment and a binder. The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation.

Front 50

ink/india ink

Back 50

black ink

Front 51

crayon

Back 51

waxy

Front 52

gray scale

Back 52

gray scale

Front 53

shading

Back 53

creates value

Front 54

rendering

Back 54

make it realistic

Front 55

chalk

Back 55

like pstel

Front 56

copy machines

Back 56

copy machines

Front 57

metal point

Back 57

descendant of the stylus of classical times and ancestor of the modern pencil, a small, sharpened metal rod used for drawing precise compositions on paper or parchment. The metal could be lead, silver, copper, or gold, but silverpoint was the most common choice because it is the most suited to permanent drawing, its stroke adhering unerasably. The silverpoint was of great value in producing the hard, clearly defined line required, for instance, by miniaturists; modelling, emphases, and light phenomena, however, had to be rendered either by means of repetitions, dense hatching, or blanks or else supplemented by other mediums.

Front 58

Perspective linear perspective

Back 58

the technique artists use to project an illusion of the three dimensional world onto a two dimensional surface. Perspective helps to create a sense of depth - of receding space. Fundamental techniques use to achieve perspective are: controlling variation between sizes of depicted subjects, overlapping some of them, and placing those that are on teh depicted ground as lower when nearer and higher when deeper. In addition, there are several types of perspective including

Front 59

diminishing/relative size

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Things that are the same size appear to get smaller as they get further away.

Front 60

isometric projection

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Isometric projection is a method for visually representing three-dimensional objects in two dimensions in technical and engineering drawings.

Front 61

foreshortening

Back 61

coming straight into space

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illusion

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tricking the eye

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vertical location

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looking down from above
bird's eye or worm's eye

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isometric perspective

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diagonal lines w/o vanishing point

Front 65

equivocal space

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space that is neither clearly flat nor clearly volumetri

ambiguous space

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implied space

Back 66

space thats implied
overlapping

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horizon line

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line of horizon

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overlapping

Back 68

spatial indicate

Front 69

aerial perspective

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looking down on something

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space

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space

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vanishing point

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where parralel lines converge in distance

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focus

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point of emphasis

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background

Back 73

background

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atmospheric perspective

Back 74

blue, hazy small etc.

Leo da Vinci