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58 Cards in this Set
- Front
- Back
I LOVE YOU LINDSEY
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I LOVE YOU BABY GIRL
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art as ritual, magic-national dosena of animals
Lacaux Caves (ex) |
500 BC
Pre History |
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stylized
wall photos (ex) |
3000-1500 BC
Egyptian |
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classical, proportions
Warrior,Parthenon (ex) |
500-50 BC
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formal, simplified/stylized figuresl, rich color
Risen Christ, Mosaics (ex) |
5th c AD
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religious art with symbolism
Duccio, Giotto |
12-15 c
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church-major art patron Natural observer, beauty, linear perspective, ideal man
Giotto, Michelangelo, Da Vinci |
14-16 c
Renaissance |
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earthy, symbolism
Van Eyck, Durer (ex) |
Northern Renaissance
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exaggeration of space, light, elongation, figure, distort, proportion, perspective
El Greco, Tintoretto (ex) |
Mannerism
late 16th c |
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drama, light, color, exaggeration, emotions
Brueghel, Velazquez, Rembrandt (ex) |
Baroque 17th c
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revival classical greek, intellectual formula
David (ex) |
late 18th c
Neo Classical |
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intense emotion, literary subjects, nature forces, exotic danger
Delacroix, Turner, Blake (ex) |
18-19th c
Romanticism |
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ordinary subjects/people, representational
Eakins (ex) |
Mid 19th c
Realism |
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light, color, brushstroke, "the moment"
Degas, Monet, Renroir (ex) |
late 19th c
Impressionism |
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formal and expressive
Seurat, Van Gough (ex) |
late 19th c
Post-impressionism |
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market by abstraction and rapid change in styles
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20th c
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French Revolution
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1789
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Industrial Revolution
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19th c
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First Photograph
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1826
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World War One
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1914-1919
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World War Two
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1941-1945
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Freud
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1900
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Wright Brothers
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1903
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Einstein's theory of relativity
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1905
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Renaissance
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14-16th c
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Giotto
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1301
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Baroque
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17th and early 18th c
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Neo-Classical
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early 18th c
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Romantic
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mid to late 18th c
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Realism
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early 19th c
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Impressionism
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1870-1880's
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Post-impressionism
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late 19th c
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emotional, bold colors and flat shapes
Roualt, Matisse (ex) |
early 20th c
Expressionism |
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presentation of multiple views
Picasso (ex) |
early 20th c
Cubism |
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Dream-like
Chagall, Dali (ex) |
20th c
Surrealism |
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viewer interprets, simplified/changed
Brancusi, Kandinsky (ex) |
mid 20th c
Abstract Expressionism |
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large color areas
Rothko, Frankenthaler (ex) |
1960's
Color Field/ Minimalism |
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objective from popular culture
Warhol, Oldenburg |
1960's
Pop Art |
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optical illusions
Stella |
1960's
Op Art |
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photo exactness, acrylic, airbrush
Estes, Hanson |
1980's
Photo-realism Post-Modern |
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a visual path of action; straight, broken, curvilinear
a) diagonal implies motion b) vertical-alertness c) horizontal-calm |
line
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a two-dimesional area or space defined by a line or changes in value and color
a)organic-natural, irregular b)geometric-man-made, triangle, circle, and rectangle c)positive d)negative-background space |
shape
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the radiant energy which makes everything we see visible
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light
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the relative lightness and darkness of tones and colors. Gradations of value on an object give it a sense of mass or 3-D quality
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value
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effect on our eyes of light waves of differing wavelength or frequencies
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color
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the tactile quality of a surface (actual) or the representation or invention of the appearance of such a surface quality (implied)
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texture
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three-dimensional form having physical bulk.
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mass
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the indefinable, great, general, receptacle of all things--the void
a)linear perspective-lines converges on vanishing point to imply depth b)atmospheric perspective-foreground objects are more detailed, larger, with more contrast; background is grayed, smaller, and less detailed c)aerial-above looking down d)worms-looking from below e)size or scale change f)position g)overlap h)foreshortening i)warm/cool |
space
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a non-spatial continuum in which events occur in succession. can also refer to time of day or season
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time
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actual or implied change of position. Diagonal lines, blue, and suspension are ways to show motion. Directional force will also move viewer's eyes through composition.
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motion
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center of interest that focuses viewer's attention
a)contrast b)isolation c)centrality d)directional force e)color intensity |
emphasis (focal point)
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interaction of any contradictory elements such as line, texture, or value
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contrast
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ordered relationship of opposing forces
a)symmetrical-distribution of somee or similar parts on either side of central axis b)asymmetrical-felt or implied center of gravity brings opposing or dissimilar elements into equilibrium c)radial- circular design |
balance
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implied or actual line produces directional forces which determine basic structure of work. Person's glance or line up of objects is implied directional force
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directional force
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appearance of oneness in composition; what makes the individual parts work together
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unity
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recurrence of design elements, can create pattern or be seemingly random or irregular
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repitition
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refers to size in comparison to the size of a constant/ one object compared to another object (pencil to person)
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scale
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size relationship of parts to a whole and to one another (head to body, or facial features to head)
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proportion
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