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70 Cards in this Set
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Artist: Fra Angelico Title: Annunciation and Scenes from the life of the Virgin Date: c. 1432-34 Location: Church of San Domenico |
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Artist: Fra Angelico Title: Annunciation Date: 1438-45 Location: Hallway, Monastery of S. Marco, Florence Patron: Cosimo de' Medici - fourth condition (humility) - arms crossing is foreshadowing of Jesus -being on the cross -humility is the highest of virtues -humility of Mary is incredibly important -closed garden (virginity) -barred window on door so sin cant get in -ionic and Corinthian columns, classic arches |
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Artist: Fra Angelico Title: Annunciation Date: 1438-45 Location: Monk's cell,Monastery of S. Marco, Florence Patron: Cosimo de' Medici - paintings are plain because dominican monks live life of contemplation. |
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Artist: Fra Angelico Title: Descent from the cross Date: 1434 Location: Santa Trinita Patron: Palla Strozzi -sacristy of Santa Trinita -deposition, descent from the cross -includes members of the strozzi family -body of Jesus is peaceful -realistic faces -entire city in background still tempera |
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Artist: Fra Angelico Title: Madonna and saints (San Marco Altarpiece) Date: c. 1438-43 Location: S. Marco, Florence Patron: Cosimo de' Medici -Medici saints present -pyramid shape -orthogonals in floor (turkish carpet) - 2 saints are Medici saints, cosmas and damian -Dominican monks on the right |
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Artist: Fra Filippo Lippi Title: Annunciation Date: c. 1440 Location: San Lorenzo, Florence Patron: Martelli family -pictorial tradition with the lily branch -has linear perspective with the diagonals -closed garden is symbolic of Mary’s virginity -round arches -influence from Flanders -vase symbolizes the sacrament of baptism -transparency of the glass Lippi is influenced by Masaccio - transparent vase influenced by flemish art--disquiet (conturbatio) is the expression show by mary |
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Artist: Fra Filippo Lippi Title: Madonna and child with the birth of the Virgin and the Meeting of Joachim and Anna. Date:1452 Location: Pitti Gallery, Florence Patron: Lionardo Bartolini Tondos went in peoples homes; this is the time in which people begin to pay for art. -In the background you see the birth of the virgin mary. -she is cropped at the knees -Mary is more accessible -sitting in a chair instead of a throne -Lippi has temporized the Virgin Mary if Madonnas are cropped you can almost bet they were in a private home. Lucrezia Buti is said to be the face of the Madonnas. |
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East Doors Artist: Lorenzo Ghiberti Title: Gates of Paradise Date: 1425-52 Patron: Opera of the Baptistery and the Arte di Calimala -space between cathedral and baptistery is called the paradiso (Paradise) -the most important doors -Abraham sacrificing his only son is a typology of God sacrificing Jesus -Ghiberti wins over Brunelleschi -Ghiberti was better with metal -these are bronze and gilded -old testament - rilieveo schiatto - fall of jericho foreshadows last judgemen |
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Artist: Ghiberti Title: Jacob and Esau Date: c.1435 Location: Baptistery Doors, Florence Patron: Opera of the Baptistery and the Arte di Calimala - issac blessing jacob - classic architecture - figures in highest relief cast shadows - scale, people are in scale with the buildings - orthogonal in the floor - almost all of these are symmetrical |
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Artist: Lorenzo Ghiberti Title: Self-portrait Date: c.1448-52 Location: Baptistery Doors, Florence Patron: Opera of the Baptistery and the Arte di Calimala - very realistic, even shows him balding |
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Artist: Leonbattista Alberti Title: Malatesta Temple Date: 1450 Location: Rimini, Italy -Patron is Sigismondo Malatesta -broken pediment -broken entabletment -niches down the sides for sarcophagi to be placed there. -modeled by roman triumphal arch - pediment at the top is broken along with the entablature, - |
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Artist: Leonbattista Alberti Title: Santa Maria Novella Date: c. 1461-70 Location: Florence Patron: giovanni Rucellai -the church is very Gothic with lots of pointed arches -classicism with the facade like the temple top, horizontal division, and Romanesque -only real facade in Florence from the 15th century -prototype is san minato |
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Artist: Leonbattista Alberti Title: Palazzo Rucellai Date: c.1452-58 Location: Florence Patron: Giovanni Rucellai -Tuscan plasters -round arches -combination of column and round arch. - prototype is medici palace - 3 stories but no rustication - Corinthian on top, different on bottom two levels -prototype is medici palace so it has 3 stories -no rustication - prototype is Colosseum |
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Artist: Leonbattista Alberti Title: Sant' Andrea Date: 1470 Location: Mantua Patron: Ludovico Gonzaga -Corinthian pilasters - has a dome -round arches -barrel vault is coffered -Triumphal arches of Constantine is the prototype for the Facade - coffered ceiling on the inside - side chapels not side isles - san andrea becomes prototype, everyone starts building churches with one big nave |
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Artists: Donatello Title: David Date: C. 1446-60 Location: Original location Palazzo Medici Patron: Cosimo de' Medici -david from old testament, pitted versus Goliath - was at the medici palace courtyard - first life size male bronze since antiquity - relief on the head of Goliath - chariot with putti is from greek art - contra postto stance -prototype is Polykleitos, Spear Bearer |
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Artist: Donatello Title: Equestrian Monument of Gattamelata Date: c. 1445-53 Location: Piazza del Santo ,Padua Patron: Venetian Senate -prototype marcus aurelius -man was a solider for republic of venice (first example of a real man not a god) - made of bronze -condotteri? |
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Artist: Donatello Title: The Penitent Magdalen Date: 1430s-50s Location: Museo dell' Opera del Duomo, Florence -contrapposto pose -broke away from pictorial tradition -made of wood , brown painting used to represent the tan produced by years of exposure to the sun |
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Artist: Piero Della Francesca Title: Baptism of Christ Date: 1440-50 Location: Now in London -lots of repetition (color, horizontal lines, vertical lines) - verticle lines are stances and trees - horizontal lines are clouds and dove - repetition of white color |
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Artist: Piero Della Francesca Title: Resurrection Date: c.1458 Location: Originally in Town Hall, Sansepolcro Patron: Chief magistrates of Sansepolcro -paintings before Piero showed Jesus ascending into heaven - this scene is not in gospels - much more realistic, since jesus stayed on earth for 40 days - guy in brown is piero della francesca -jesus is holding brown of triumph -sleeping soldiers -triumphing over death |
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Artist: Piero Della Francesca Title: Madonna and child with saints Date: 1470s Location: Urbino Patron: Federico da Montefeltro -Federico has been made a duke -Federico has his patron St. John -St. Bernardino on one side and St. Francis on the other-painting is not symmetrical -Battista is not present because she was dead by this time -Ostrich egg symbolizes the absence of Battista -coffering, round arches, -Sacramental conversation-the baby sleeping; sleep is a euphemism for death - coffered ceiling, entablature, shell all classical - jesus is sleeping signifies death but that he will also wake up |
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Artist: Piero Della Francesca Title: Battista Sforza and Federico da Montefeltro Date: c.1474 Location: Urbino -painting is double sided, tempera with some oil. pearls are more luminous with use of oil -another example of immortalizing -face of his wife was taken from her death mask -realistic portraits-atmospheric perspective. -realism extends to messed up nose and eye that federigo suffered in battle - profile view comes from roman coins, women are usually in profile |
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Artist: Piero Della Francesca Title: Triumph of Federico da Montefeltro and Triumph of Battista Sforza (Back) Date: c.1474 Location: Urbino -Virtues of Chastity and Modesty -Charity and Faith -cardinal virtues are justice, temperance,prudence, and fortitude - realistic background |
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Artist: Sandro Botticelli Title: Adoration of the magi Date: c. 1476 Location: Original location Sta. Maria Novella, Florence Patron: Guasparre dal Lama -head of the oldest Madoff Cosimo Medici -Pico della Mirandola a leading humanists and writer -Lorenzo the magnificent -this painting is honoring the Medici -the shed is in ruins but there is plants growing out of the cracks -the structure on the left is in ruins -symbolism is that with the coming of Christ the paganism will be gone. -pyramid shape -Giuliano is also present - pyramid shape |
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Artist: Sandro Botticelli Title: Primavera Date: c. 1482 Location: Original location Medici palace Patron: Lorenzo Medici -wedding for the Pier Francesco -heavy wood panel -both have Venus in the Middle -mythology comes into the picture -spring time -cupid is present -the three woman are the three graces -Mercury is on the far left, The God of Commerce -they are in Venus’s Garden -there are oranges in the painting -wind God Zephyr -Botticelli is all about grace and elegance -Lippi was the teacher of Botticelli -you can see this with the transparent drapery |
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Artist: Sandro Botticelli Title: Birth of Venus Date: c. 1448-86 Location: Medici palace??? -on canvas -Venus in the middle -born from the sea -you can see the shell -mythology is here for the first time -zephyr is present here -Drapery blowing in the breeze, flowers blowing in the breeze -Praxiteles Aphrodite pose is seen here |
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Artists: Sandro Botticelli Title: Portrait of a Man with a Medal of Cosimo de' Medici Date: c. 1475 Location: Uffizi, Gallery, Florence |
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Artist: Sandro Botticelli Title: Madonna of the Magnificat Date: c. 1480 Location: Uffizi Gallery, Florence - tondo - influenced by lippi, transperancy, grace, elegance - no patron |
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Artist: Sandro Botticelli Title: Annunciation Date: 1489-90 Location: Sta. Maria Maddalena dei Pazzi, Florence Patron: Benedetto di Ser Francesco -orthogonal receding and horizontals -atmospheric perspective -conturbatio is seen here Mary is worried. |
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Artist: Leondardo Da vinci Title: Annunciation Date: 1472-75 Location: Florence - importance of darkness and shadows - atmospheric perspective - shadows in drapery are very dark - classicism in shell motif, very rare - realistic flowers and plants - ideal background, combination of real and the ideal |
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Artist: Leonardo Da Vinci Title: Adoration of the Magi Date: 1481 Location: ??? - unfinished because he left for milan - pyramid shape of high Renaissance -pointed finger (style of leonardo) - emphasis of shadow -detailed architecture, different expressions on every face (dramatic) |
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Artist: Leonardo Da Vinci Title: Madonna of the Rocks Date: 1483 Location: Original location S. Francesco Grande, Milan -pyramid pose -glance, gesture, and line is present -pointing finger-lots of movement -sfumato is present in the modeling - no halos - John is being shielded by mary, Jesus needs no protection since he is god - movement through line, glance, and gesture |
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Artist: Leonardo Da Vinci Title: The Last Supper Date: 1495-97 Location: Refactory of Sta. Maria delle Grazie, Milan Patron: Ludovico Sforza -most famous last supper -broke pictorial tradition -orthogonal in the ceiling -everything is symmetrical -three windows -linear perspective and atmospheric perspective - integration of the parts number symbolism - drama of high Renaissance compare earlier last suppers! |
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Artist: Leonardo Da Vinci Title: Madonna and child with St. Anne Date: c. 1508-13 Location: Louvre, Paris -santissima annunziata -sfumato in the modeling -ideal background -pyramid shape -integrated parts, all intertwined |
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Artist: Leonardo Da Vinci Title: Mona Lisa Date:1503 Location: The Louvre, Paris -Sfumato present -Modeling in the hands-modeling in the face -no lines in the face -soft shadows in the whole painting - pyramid shape - portrait of female facing viewer, breaking tradition - realism and ideal background -breaks from tradition by turning women towards viewer -pyramid shape |
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Artist: Michelangelo Title: Doni Madonna Date: c.1503 Location: Uffizi Gallery, Florence Patron: Angelo Doni |
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Artist: Michelangelo Title: David Date: 1501-4 Location: Accademia, Florence (Palazzo Vecchio) -there is a copy outside the Palazzo -originally suppose to be in the cathedral -suspense in his eyes -then went to the Piazza -broke pictorial tradition, pictured David before the battle -polykleitos prototype, and donatello's david -triumph of good over evil, god over Satan, etc. -symbol of Florence being Victorious - ideal body and face -perspective, it is meant to be looked up at |
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Artist: Michelangelo Title: Madonna of the stairs Date: 1489-92 Location: Casa Buonarroti, Florence -did this at age 14 - Mary seen as the Intercessor between god and heaven -Nursing madonna comes from SIena during the famine |
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Artist: Michelangelo Title: Pieta Date: 1498/99-1500 Location: St. Peter's Vatican, Rome -pyramid shape -carrara white marble - mary is pure, beautiful face (idealized face because she is so young) -jesus has muscular body, accurate tendons and anatomy -prototype were german pietas -signed by him in florentine |
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Artist: Michelangelo Title: Sistine Ceiling Date: 1508-12 Location: Vatican, Rome Patron: Pope Julius II -total days he actually painted was 582 days -there was theological advisers - 9 scenes of genesis down the middle - style goes from smaller to larger figures - integration of the parts - |
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Artist: Michelangelo Title: Deluge Date: 1509 Location: Sistine Ceiling - only male models, so women look like males with breasts - nude men all over symbolize god's creation |
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Artist: Michelangelo Title: Prophet Isaiah Date: 1509-10 Location: Sistine Ceiling -mention twisting and turning, all the drama in the faces. most prophets are holding books |
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Artist: Michelangelo Title: Fall of Adam and Eve and Expulsion Date: 1510-11 Location: Sistine Ceiling --mention twisting and turning, all the drama in the faces. most prophets are holding books |
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Artist: Michelangelo Title: Cumaean Sibyl Date: 1510 Location: Sistine Ceiling --mention twisting and turning, all the drama in the faces. most prophets are holding books |
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Artist: Michelangelo Title: Creation of Eve Date: 1510-11 Location: Sistine Ceiling |
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Artist: Michelangelo Title: Creation of Adam Date: 1511-12 Location: Sistine Ceiling apollonius belvedere torso is prototype - can see different days works, this took 2-3 days -mention twisting and turning, all the drama in the faces. most prophets are holding books |
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Artist: Michelangelo Title: Libyan Sibyl Date: 1511-12 Location: Sistine Ceiling |
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Artist: Michelangelo Title: Moses Date: c. 1511,1513-15,1542-1545 Location: S. Pietro in Vincoli, Rome |
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Artist: Michelangelo Title: Tomb of Giuliano de' Medici Date: 1479-1516 Location: Medici Chapel, San Lorenzo, Florence -each tomb had the duke at the top - the woman is night and the man is day - the neck of the duke is long -the faces are not portraits of the men -torso is long too -Giuliano is looking at the madonna and child -the figure of the woman (night) has a an owl and a mask. -Michelangelo uses male models even for the women -exaggeration on the twisting and turning -the face is not finished (day, onthe right) |
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Artist: Michelangelo Title: Tomb of Lorenzo de' Medici Date: 1492-1519 Location: Medici Chapel, S. Lorenzo, Florence -dawn and dusk-the female is dawn -the male is dusk -Lorenzo is also looking at the Madonna -Lorenzo is in a thinking pose -dusk is resting after a long day of work |
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Artist: Raphael Title: Madonna of the Meadows Date: 1505-1506 Location: Kunsthistorisches Museum, Vienna -pyramid shape-rounded hills, shape, and shoulders ( a little bit of repetition) -the idea of the madonna in the landscape with john comes from Da Vinci |
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Artist: Raphael Title: Angelo Doni Date: c. 1506 Location: Pitti Gallery, Florence -curvilinear lines that unite the whole peace. harmony -repetition of wispy shapes and wispy hair |
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Artist: Raphael Title: Maddalena Strozzi Doni Date: c. 1506 Location: Pitti Gallery, Florence -great at portraits -hands, the stare, and landscape means that this is post mona lisa -atmospheric perspective -harmony is present with the curves -hair flying in the breeze -repetition of wispy shapes and wispy hair |
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Artist: Raphael Title: School of athens Date: 1510-11 Location: Stanza della Segnatura, Vatican, Rome Patron: Pope Julius II -atmospheric perspective-modeling -first point perspective -proper scale of figures and architecture -orthogonal in the ceiling -Michelangelo is present in thinking pose in sculptors clothes -Burmonte is present -Raphael is also present |
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Artist: Raphael Title: Donna Velata Date: c. 1513 Location: Pitti Gallery, Florence -hands like Mona Lisa -blank background |
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Artist: Raphael Title: Baldassare Catiglione Date: c. 1515 Location: The Louvre, Paris -blank background -subject is a writer |
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Artist: Raphael Title: Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi Date: c. 1517 Location: Uffizi Gallery, Florence -Leo the X is Lorenzo the Magnificent's son -Raphael started the tradition of the papal portraits in the red robes -excellent at capturing the faces -Manuscripts -Bell (Implied texture in the bell) |
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Artist: Pontormo Title: Descent from the cross Date: c. 1525-28 Location: Capponi Chape, Sta Felicita, Florence -the exact subject is presenting the body of the son to the father -frame is the original -no linear perspective, no atmospheric perspective -no diminution in scale -figures are in the face of the viewer -no recession back into space -lots of overlapping - no spacial representation |
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Fra Roberto laudable conditions |
1. Conturbatio = Disquiet 2. Cogitatio = Reflection 3. Interrogatio = Inquiry 4. Humiliatio = Submission 5. Meritatio = Merit |
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Artist:Titian Title: Assumption of the Virgin Date: 1518 Location:Santa Maria Gloriosa dei Frari Venice -simple color scheme so i can be seen from far away - different than jesus because she is mortal, so she has putti and clouds helping her up to heaven (assumption) - Franciscans were pro for her body going to heaven - feast day is august 15th - no jesus! - all about mary - lots of diagonals, gesturing, and movement - during the reformation |
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Artist: Titian Title: Pesaro Madonna Date: 1526 Location: Santa Maria Gloriosa dei frai, venice - side chapel by private family - st francis because francescan church - sacred conversation - madonna is not in the center |
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Artist: Titian Title: Venus of Urbino Date: 1538 Location: Urbino - Female nude has to be eve or Venus (allegorical) - commissioned by duke -courtyard with tapestries - dog represents fidelity - two chests were usually a wedding gift - repetition of red color, vertical lines - harmony of composition |
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Artist: Titian Title: Danae Date: 1553 Location: Prado, Madrid - Done for king of spain. Phillip the 2nd - greedy servant on right - loose brushwork, in coins and sheets |
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Artist: Titian Title: Rape of Europa Date: 1562 Location: Spain? - very painterly - ex composition can be seen - Patron is Phillip the 2nd - |
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Artist: Titian Title: portrait of bearded man Date:1511 Location: in London now |
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Artist: Titian Title: man with a glove Date: 1521 Location: Louvre, Paris (now) - blank backgrounds - texture on leather gloves and lace |
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Artist:Titian Title: Pope Paul III Date: 1543 Location: Capodimonte, Naples |
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Artist:Titian Title: Christ Crowned with Thorns Date: 1570 Location: (alte Pinakothek, Munich) now - jesus is being mocked - made for himself |
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Artist: Titian Title: Pieta Date: 1576 Location: Accademia, Venice - made for himself - made for maybe his own grave -Mary Magdalene is there st jerome actually has his face, is touching jesus' hand |
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Artist: Palladio Title: Facade of S. Girogrio Maggiore Date: 1610 Location: Venice - Sculptures on roof is before greek time - hid the facade well by using two fronts - never copied |
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Artist: Palladio Title: Villa Rotonda Date: 1550 Location: Vicenza - has dome - porch on four sides, semi enclosed - most influential - ionic order - temple front - prototype is the pantheon - |
