Gor Slave Positions (Image & Position Name)

Front 1

Back 1

Bara- This position is used for a variety of reasons, sometimes as punishment. She lays on her stomach, face down and turned to the left with her wrists crossed behind her back. Her ankles are crossed, as well, as if for binding.

Front 2

Back 2

Belly-She assumes a face down position, head is turned to the left, arms at her sides with the palms turned up, and legs are parted widely

Front 3

Back 3

Sula-This position is self-explanatory. She lies on her back, her hands at her sides, palms facing upward. Her legs are spread wide open... she awaits Master’s inspection.

Front 4

Back 4

Sula-Ki or Alternative Sula-This position is almost identical to the Sula position, except once she has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him.

Front 5

Back 5

Bracelets Can be used kneeling or standing - This position is used to put on slave bracelets for chaining the slave. A common place to chain slaves is to their Master’s bed or at a Tavern there are rings in the walls that a Master may use to attach a slave to while he goes about his business. She places her hands behind her back....her shoulders pushed back…her breasts thrust outward....and her hands clasped tightly behind her back...ready for bracelets to be placed on her.

Front 6

Back 6

Leading - She stands and moves behind her Master, bending at the waist. She places her hands behind her and puts the side of her head to her Master’s hip, that he might lead her easily by the hair or collar while walking.

Front 7

Back 7

Hair - She stands, her feet flat on the floor, and bows gracefully at the waist, that her hair might fall forward for display, or to be shorn, seized, or used for any purpose that the Master desires.

Front 8

Back 8

Ko-Lar or Collaring - Also called the Position of Female Submission. She kneels at the Master’s feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication.

Front 9

Back 9

Leasha or Leash - She stands and moves behind her Master, bending at the waist. She places her hands behind her and puts the side of her head to her Master’s hip, that he might lead her easily by the hair or collar while walking.

Front 10

Back 10

Nadu-This is the most basic of all the positions. This is the position a slave is in most of the time. She kneels before her Master, her head held high, eyes downcast, knees spread wide open, shoulders back keeping her back straight (or arched slightly), breasts thrust outward. Her hands lie on her thighs, palms facing upward.

Front 11

Back 11

Tower-There is another variation of Nadu in which she kneels the same way, but with her palms down and her knees modestly together. This variation is referred to as Tower Slave Position and is typically reserved for underage or white-silk slave girls, or slave girls who serve their Master in a non-sexual way, such as a Tower Slave or female Work Slave.

Front 12

Back 12

Obeisance or Obedience - She goes to the floor, laying upon her stomach, face down before the Master. She turns her head and places her cheek against his feet, kissing them lightly in a gesture of love and submission.

Front 13

Back 13

Slave Lips-When this command is given, she turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless; her lips thusly puckered, and may not move until she is granted the kiss of a Master.

Front 14

Back 14

Slaver's Kiss (Karta) - She falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the leather against her body. Common Gorean Usage Position of this position - She falls to the floor upon all fours, and keeps her head straight, her eyes looking forward, with her buttocks thrust upward and her thighs widely spread in preparation for the sexual use of the Master.

Front 15

Back 15

Table-She kneels then bends forward and places her elbows on the floor, hands are locked on forearms, knees are parted and used to adjust height until her back is level, and her head is held up.

Front 16

Back 16

Whipping-She first assumes the Nadu position, though with her arms crossed in front of her. She then leans forward and places her head to the floor, first sweeping her hair forward over her shoulders in order that her back might be utterly exposed to the whip.

Front 17

Back 17

Run Command-When this command is given, she runs toward her objective, taking short rapid steps, with her legs almost straight, her feet hardly leaving the floor. As she moves her back is straight, her head is turned to the left, and her arms are at her sides, her palms facing outward at a 45-degree angle to her body. Upon reaching her objective she drops gracefully to her knees and typically resumes the position of Nadu.

Front 18

Back 18

Walk-When this command is given, she turns in a graceful pirouette, her hair swinging. She then walks, gliding across the room, her feet hardly seeming to leave the floor, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hip out a bit, her hands at her sides, and points one foot. Her head is up and her eyes are lowered.