Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
23 Cards in this Set
- Front
- Back
|
Directed by? |
Billy Wilder |
|
|
Produced by? |
Billy Wilder |
|
|
Starring? |
Jack Lemmon as C.C Bud Baxter |
|
|
Starring? |
Shirley MacLaine as Fran Kubelik |
|
|
Starring? |
Fred MacMurray as J.D Sheldrake |
|
|
When was it made? |
1960 |
|
|
Which shots were used? |
Framing the apartment, framing the office, baxter alone, taking the high ground, the club scenes, rarities, and genius in the details |
|
|
Editing |
involves selecting and arranging the shots based on the following considerations: their place within the narrative, their contribution to the mood of a particular scene or to the film as a whole, their enhancement of the films rhythm, their elucidation of the sims deeper meaning, and the fulfillment of the filmmakers purpose. |
|
|
Continuity editing |
entails assembling shots so that they follow each other smoothly and without interruption |
|
|
Rhythm |
speed, movement, and pace. |
|
|
Time |
parallel cutting makes it possible for two concurrent actions to be depicted on the screen without one being completed before the other begins- the filmmaker simply cuts back and forth between them. |
|
|
Tone |
light, shade, and color. |
|
|
Theme |
juxtaposing contrasting shots can deepen a firs theme. |
|
|
Framing |
the act of composing a shot. The filmmakers canvas is the frame, the strip of celluloid on which the image is captured. |
|
|
mise-en-scene |
a French phrase used to describe the staging of a play. |
|
|
Tight framing |
the subject appears to be confined within the horizontal and vertical borders of the frame so that there is not even a hint of offscreen space. |
|
|
Compose a shot |
when the image is closer to one side of the frame than the other, making it possible to incorporate other visual detail. |
|
|
iconography |
when a filmmaker chooses to frame a shot so that it consciously evokes a famous painting, or a character is meant to represent a famous person from another era. |
|
|
Deep focus |
when background, foreground, and middle ground should all equally be visible. |
|
|
Shallow focus |
when the foreground is more distinct than the background. |
|
|
Rack focus |
when background is clear and foreground is blurry. |
|
|
Long take |
a shot that lasts more than a minute. |
|
|
Steadicam |
came in 1970s, the camera is attached to a body harness worn by the cameraperson |
