It shows the reader that there are many concerns and motives in play, some of which have no immediate connection to justice but rather more to do with baser human instincts. The fact that Agamemnon and Clytemnestra go to excesses in their killing, well beyond what is required by the demands of justice, demonstrates that they are carrying out the destruction to satisfy much deeper and far less worthy human urges. The purpose of the first play is to compel the reader to realize that justice based on revenge creates many difficulties, which it cannot solve, as exhibited by the bloody history of the House of Atreus and its self-perpetuating cycle of violence. The end of the Agamemnon leaves us with the graphic image of a city divided against itself. The city seems to be caught in the metaphorical net that keeps cropping up in the trilogy, from which there is no escape. The problems posed by this inadequacy of the revenge ethic become the prime focal point of the following plays, which seek to find a way through the
It shows the reader that there are many concerns and motives in play, some of which have no immediate connection to justice but rather more to do with baser human instincts. The fact that Agamemnon and Clytemnestra go to excesses in their killing, well beyond what is required by the demands of justice, demonstrates that they are carrying out the destruction to satisfy much deeper and far less worthy human urges. The purpose of the first play is to compel the reader to realize that justice based on revenge creates many difficulties, which it cannot solve, as exhibited by the bloody history of the House of Atreus and its self-perpetuating cycle of violence. The end of the Agamemnon leaves us with the graphic image of a city divided against itself. The city seems to be caught in the metaphorical net that keeps cropping up in the trilogy, from which there is no escape. The problems posed by this inadequacy of the revenge ethic become the prime focal point of the following plays, which seek to find a way through the