Throughout the past several decades the film industry has been known for its increasingly diversified combination of two worlds. One entailing of the unique artistic expression of producers, while the other faced by the commercialization behind funders. Within time these two sides have tugged and pulled the potentially true underlying aspects of film, creating room for a capitalistic overtaking within the industry. The empty space between expressionism and commercialization potentially may have served as a reason big conglomerates viewed an increasing disinterest in the box-office. This being since the main source of revenue for studios wasn’t directly tied to the box office any more. In this essay I’ll be elaborating …show more content…
This overall control has a direct impact to the value films have to the general population, and ultimately to the principles newer generations look for in film. In my journal I had explained how I sensed older films had a more in depth plot, with a direct use of emotion and sensation to which the viewer was directly drawn into. This was depicted freely in The Maltese Falcon, and was in my opinion the reason why it is considered to be a masterpiece. In comparison to this film I personally have a direct relationship with the James Bond Series, and Ian Flemings creation in 1953. With films released within a year to year separation, styles and methods of production varied slightly as time went along creating a symptomatic interpretation. Technological evolution is also clearly depicted throughout each release, with a gradual sway towards a more questionable production. Having appreciated the entire 24 movies series, I personally value the realism within the production. Beginning with Sean Connery’s depiction in the 1963 release of From Russia …show more content…
Along side the improvements of technology available to the producer, the developments provided to the viewer have impacted the experience the film provide. One direct impact to viewers is the actual experience of film. With the increase demand of video streaming and digital releasing, viewing film together with the movie going experience has completely been transformed. One might have viewed watching a film in a movie theatre as a way to escape from their reality, while taking in the opportunity to go out of the confinement of their home. With the constructive social potential of being joined by friends and family. Today, this experience has been altered to that of a potentially solo time, with companies such as Netflix and Amazon marketing their stream services as a date with oneself. Laura U. Marks mentions the great tool cinema provided for the mending of intercultural cinema in the book The Skin of the Film she mentions the creation of “links among different groups that transform those groups[…] forming a coalition into a new cultural formation”(19). Yet with the modern accessibility on one’s own platform, those groups are individually broken down tearing down the foundations of which film was generally