Compas, for example describe recurrent rhythms that are the structural basis (Moore, p.94). Most sones are written in triple meter and are meant for dancing, like the zapateado. Zapateado is a traditional folklorico dance that strikes shoes down on a wooden platform, similar to that of tap dance. There is also a lot of syncopation happening throughout the music, where there are alternating groupings of two and three notes in triple-meter, also known as sesquialtera (Moore p.95). There are two major sones when it comes to mariachi music, the first being son jalisciense coming from the Cocula region in Jalisco, said to be the birthplace of mariachi music. The strumming is emphasized on beats 1, 3, and 5, however the third beat is “dressed up” and known as a redouble (Moore, p.96). The second son is known as the son huasteco and originates from San Luis Potosi. It is usually played as a trio and in a syncopated triple meter. Each respective genre brings its own regional
Compas, for example describe recurrent rhythms that are the structural basis (Moore, p.94). Most sones are written in triple meter and are meant for dancing, like the zapateado. Zapateado is a traditional folklorico dance that strikes shoes down on a wooden platform, similar to that of tap dance. There is also a lot of syncopation happening throughout the music, where there are alternating groupings of two and three notes in triple-meter, also known as sesquialtera (Moore p.95). There are two major sones when it comes to mariachi music, the first being son jalisciense coming from the Cocula region in Jalisco, said to be the birthplace of mariachi music. The strumming is emphasized on beats 1, 3, and 5, however the third beat is “dressed up” and known as a redouble (Moore, p.96). The second son is known as the son huasteco and originates from San Luis Potosi. It is usually played as a trio and in a syncopated triple meter. Each respective genre brings its own regional