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23 Cards in this Set
- Front
- Back
Peripetite - Melody
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Nebenstimme - secondary melody Klangfarbenmelodie - timbre contributed to the melody Disjunct Chromatic notes |
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Peripetite - dynamics
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Ranges from ppp - fff Some rapid crescendo and diminuendos sudden and extreme |
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Peripetite - texture |
some polyphony |
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Peripetite - structure
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returning A sections are shorter A1, B & C are similar length |
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Peripetite - Harmony |
Complement - 6 other notes Whole piece arranged into a prime order which is rearranged by retrograde, inversion & retrograde inversion |
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Peripetite - Instrumentation |
Changes rapidly creating change in timbre Woodwind, percussion, Brass, Strings Extreme ranges Many instruments double |
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Peripetite - Rhythm
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Complex rhythms Dotted minims --> semi quavers Slurred notes Staccato Syncopated Precise phrasing |
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Peripetite - Tonality |
Dissonant harmonies Hexachords |
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Peripetite - speed |
Sehr Rasch - very quick Rubato Markings include - passionate, calmer, somewhat calmer and in tempo |
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Something's Coming - Melody
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2 melody lines 1st - short, snappy 2nd - sustained and lyrical more syllabic word painting used largely conjunct |
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Something's Coming - Dynamics
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Short and snappy = quieter Long and sustained = louder Lots of crescendos and diminuendos |
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Something's Coming - Structure
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Intro - A - B - B2 - A2 - outro excited - nervous - excited inverted structure |
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Something's Coming - Harmony |
Diabolus in musica - tritone - devils note |
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Push rhythms Cross Rhythms Syncopated Sudden changes in time signature ostinato |
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Something's Coming - tonality
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modulates between the two D = long sustained C = short and snappy |
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Electric Counterpoint - Melody
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Phase shifting Note addition Note Subtraction Ostinati Metamorphosis |
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Electric Counterpoint - Dynamics
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Live guitar dynamically contrasts Dynamics are subtle Ends ff |
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Electric Counterpoint - Texture
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Polyphonic/ Contrapuntal Layering starts monophonic Guitars pick and strum Homophonic end Only guitars 1-4 and live are playing codetta |
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Electric Counterpoint - Structure
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A - B - codetta B starts with a key change 4 subsections within A and B Coda same length as B Section A longest |
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Electric Counterpoint - Harmony |
Bass notes show tonality Bass underpins harmony Strummed chords support harmony chords = C, Bm, E5 - C, D, Em - C, D, Bm |
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Electric Counterpoint - Instrumentation |
7 electric guitars 2 bass records all guitars are recorded apart from live |
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Electric Counterpoint - Rhythm
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cross rhythms polyrhythmic syncopated |
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Electric Counterpoint - Tonality
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Tonic Em Modal - E Aeolian modulates between Em and Cm (E/C - electric counterpoint) |