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110 Cards in this Set
- Front
- Back
Curved Lines |
Lines moving in a circular or semi-circular direction; used to soften a design |
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Diagonal lines |
Line positioned between horizontal and vertical lines. They are often used to emphasize or minimize facial features. |
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Horizontal lines |
Lines parallel to the floor and relative to the horizon; create width in hair design. |
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Vertical lines |
Lines that are straight up and down; create length and height in hair design. |
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Single lines |
A hairstyle with only one line, such as a one-length hairstyle. |
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Transitional lines |
Usually curved lines that are used to blend and soften horizontal or vertical lines. |
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Contrasting lines |
Horizontal and vertical lines that meet a 90-degree angle and create a hard edge. |
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Directional lines |
Lines with a definite forward or backward movement. |
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Form |
The mass or general outline of a hairstyle. It is three-dimensional and has length, width, and depth. |
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Parallel lines |
Repeating lines in a hairstyle; may be straight or curved. |
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Space |
The area surrounding the form or the area the hairstyle occupies. |
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Design texture |
Wave patterns that must be taken into consideration when designing a style. |
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Asymmetrical balance |
Is established when two imaginary halves of a hairstyle have an equal visual weight, but the two halves are positioned unevenly. Opposite sides of the hairstyle are different lengths or have a different volume. Asymmetry can be horizontal or diagonal. |
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Proportion |
The comparative relationship of one thing to another; the harmonious relationship among parts or things. |
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Rythmn |
A regular pulsation or recurrent pattern of movement in a design. |
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Balance |
Establishing equal or appropriate proportions to create symmetry. In hairstyling, it is the relationship of height to width. |
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Symmetrical balance |
Two halves of a style; form a mirror image of one another. |
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Emphasis |
Also known as focus; the place in a hairstyle where the eye is drawn first before traveling to the rest of the design. |
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Profile |
Outline of the face, head, or figure seen in a side view. |
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Concave profile |
Curving inward; prominent forehead and chin, with other features receded inward. 🌛 |
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Bang area |
Also known as fringe area; triangular section that begins at the apex, or high point if the head, and ends at the front corners. |
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Convex profile |
Curving outward; receding forehead and chin. |
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Harmony |
The creation of unity in a design; the most important of art principles. Holds all the elements of the design together. |
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Straight profile |
Neither convex nor concave; considered the ideal. |
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Soft water |
Rainwater or chemically softened water that contains only small amounts of minerals and, therefore, allows soap and shampoo to lather freely. |
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Moisturizer |
Product formulated to add moisture to dry hair or promote the retention of moisture. |
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pH-balanced shampoo |
Shampoo that is balanced to the pH of skin and hair (4.5 to 5.5). |
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Hard water |
Water that contains minerals that reduce the ability of soap or shampoo to lather. |
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Conditioning shampoo |
Also known as moisturizing shampoo;shampoo designed to make the hair appear smooth and shiny and to improve the manageability of the hair. |
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Deionized water |
Water that has had impurities ( such as calcium and magnesium and other metal ions that would make a product unstable) removed. |
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Nonstripping |
Product that does not remove artificial color from the hair. |
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Dry shampoo |
Also known as powder shampoo; shampoo that cleanses the hair without the use of soap and water. |
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Clarifying shampoo |
Shampoo containing an active chelating agent that binds to metals (such as iron and copper) and removes them from the hair; contains an equalizing agent that enriches hair, helps retain moisture, and makes hair more manageable. |
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Medicated shampoo |
Shampoo containing special chemicals or drugs that are very effective in reducing dandruff or relieving other scalp conditions. |
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Strengthening shampoo |
Shampoo that contains a variety of strengthening and nourishing ingredients and is designed to repair damaged and brittle hair. |
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Sulfate-free shampoo |
Shampoo that does not contain soap detergents. They are formulated with little to no alkaline soap base; manufactured as wearing agents to be compatible with hair and soft water sources, and generally are known to be sensitive to artificial hair color and yo maintaining the natural oils in the hair. |
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Balancing shampoo |
Shampoo designed to wash away excess oiliness while preventing the hair from drying out. |
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Neutralizing shampoo |
Shampoo used for chemically processed or relaxed hair that is designed to re-balance the pH level of the hair by neutralizing any alkali and unwanted residues in the hair; after a chemical interaction, it works to help return the hair to the average pH. |
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Protein conditioner |
Product designed to penetrate the cortex and reinforce the hair shaft from within. |
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Humectants |
Substances that absorb moisture or promote the retention of moisture. |
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Conditioner |
Special chemical agent applied to the hair to deposit protein or moisturizer to help restore hair strength, infuse moisture, give hair body, or to protect hair against possible breakage. |
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Spray-on thermal protector |
Product applied to hair prior to any thermal service to protect the hair from the harmful effects of blowdrying, thermal irons, or electric rollers. |
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Color-enhancing shampoo |
Shampoo created by combining the surfactant base with basic color pigments that can help to extend the vibrancy of the haircolor while adding hydration for hue intensity. |
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Scalp conditioner |
Product, usually in a cream base, used to soften and improve the health and scalp. |
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Deep-conditioning treatment |
Also known as hair mask or conditioning pack; chemical mixture of concentrated protein and intensive moisturizer. |
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Medicated scalp lotion |
Conditioner that promotes healing of the scalp. |
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Scalp astringent lotion |
Product used to remove oil accumulation from the scalp; used after a scalp treatment and before styling. |
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Reference points |
Points on the head that mark where the surface of the head changes or the behavior of the hair changes, such as ears, jawline, occipital bone, apex, and so on; used to establish design lines that are proportionate. |
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Head form |
Also known as head shape; the shape of the head, which greatly affects the way the hair falls and behaves |
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Parietal ridge |
Widest area of the head, usually starting at the temples and ending at the bottom of the crown. |
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Occipital bone |
Bone that protrudes at the base of the skull. |
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Line |
Thin, continuous mark used as a guide; can be straight or curved, horizontal, vertical, or diagonal. |
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Apex |
Highest point on the top the head. |
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Crown |
Area of the head between the apex and back of the parietal ridge. |
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Nape |
Back part of the neck; the hair below the occipital bone. |
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Four corners |
Points on the head that signal a change in the shape of the head, from the flat to round or vise versa. |
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Section |
To divide the hair by parting into uniform working areas for control. During haircutting, the working areas of the hair. Working in smaller sections gives better control. |
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Diagonal forward |
A type of diagonal line that creates movement toward the face. |
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Sections |
To divide the hair by parting into uniform working areas for control. During haircutting, the working areas of the hair. Working in smaller sections gives better control. |
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Angle |
Space between two lines or surfaces that intersect at a given point. |
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Diagonal back |
A type of diagonal line that creates movement away from the face. |
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Beveling |
Haircutting technique using diagonal line by cutting Hair ends with a slight increase or decrease in length. |
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Subsections |
Smaller sections within a larger section of hair, used to maintain control of the hair while cutting. |
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Elevation |
Also known as projection or lifting; the degree at which a subsection of hair is held, or lifted, from the head when cutting. |
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Part |
Line dividing rhe hair at the scalp, separating one section of hair from another, creating subsections. |
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Pivoting |
Rotates from a central point; also referred to as pie shaped sections, used for layering and graduating. |
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Graduation |
Elevation that occurs when a section is lifted above 0 degrees. |
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Shrinkage |
When hair contracts or lifts through the action of moisture loss or drying. |
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Cutting line |
Angle at which the fingers are held when cutting, and, ultimately, the line that is cut; also known as finger angle, finger position, cutting position, or cutting angle. |
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Perimeter |
Outer line of hairstyle. |
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Overdirection |
Combing a section away from it's natural falling position, rather than straight out from the head, toward a guideline; used to create increasing lengths in the interior or perimeter. |
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Guideline |
Also known as a guide; section of hair, located either at the perimeter or the interior of the cut. Usually the first section that is cut yo create a shape. |
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Interior |
Inner or internal part. |
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Traveling guideline |
Also known as movable guideline; guideline that moves as the haircutting progresses, used often when creating layers or graduation. |
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Stationary guideline |
Guideline that does not move. |
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Hairline |
Hair that grows at the outermost perimeter along the face, around the ears, and on the neck. |
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Tension |
Amount of pressure applied when combing and holding a section, created by stretching or pulling the section. |
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Cast |
Method of manufacturing shears; a metal-forming process whereby molten steel is poured into a mold and, once the metal is cooled, takes on the shape of the mold. |
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Growth pattern |
Direction in which the hair grows from the scalp; also referred to as natural fall or natural falling position. |
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Forged |
Process of working metal to a finished shape by hammering or pressing. |
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Palm-to-palm |
Cutting position in which the palms of both hands are facing each other. |
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Blunt haircut |
Also known as a one-length haircut; haircut in which all the hair comes to one hanging level, forming a weight line or area; hair is cut with no elevation or overdirection. |
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Weight line |
Visual line in the haircut where the ends of the hair hang together. |
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Layered haircut |
Effect achieved by cutting the hair with elevation or overdirection; the hair is cut at higher elevations, usually 90 degrees or above, which removes weight. |
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Graduated haircut |
Slow or immediate buildup of weight; an effect or haircut that results from cutting the hair with tension, low to medium elevation, or overdirection. |
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Layers |
Create movement and volume in the hair by releasing weight. |
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Long-layered haircut |
Haircut in which the hair is cut at a 90-degree elevation and then overdirected to maintain length and weight af the perimeter. |
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Cross-checking |
Parting the hair in the opposite way form which you cut it in order to check for precision of line and shape. |
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Uniform layers |
Hair is elevated to 90 degrees from the scalp and cut at the same length. |
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Slide cutting |
Method of cutting or layering the hair in which the fingers and shears glide along the edge of the hair to remove length. |
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Scissor-over-comb |
Also known as shear-over-comb; haircutting technique in which the hair is held in place with the comb while the tips of the shears are used to remove length. |
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Interior guidline |
Guideline that is inside the haircut rather than on the perimeter. |
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Distribution |
Where and how hair is moved over the head. |
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Texturing |
Haircutting technique designed to remove excess bulk without shortening the length; changing the appearance or behavior of the hair through specific haircutting technique using shears, thinning shears, or a razor. |
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Point cutting |
Haircutting technique in which the tips of the shears are used to cut points into the ends of the hair. |
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Finger waving |
Process of shaping and directing the hair into an S pattern through the use of the fingers,combs and waving lotion. |
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Finger-waving lotion |
Also known as liquid gel; is a type of hair gel that makes the hair pliable to keeping it in place during the finger-waving procedure. |
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Base |
Stationary, or non-moving, foundation of a pin curl (the area closest to the scalp); the panel of hair on which a roller is placed. |
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Circle |
The part of the pin curl that forms a complete circle; also, the hair that is wrapped around the roller. |
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Stem |
Section of the pin curl between the base and first arc (turn) of the circle that gives the curl its direction and movement; the hair between the scalp and the first turn of the roller. |
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Half-stem curl |
Curl placed half off base; permits medium movement and gives good control to the hair. |
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Full-stem curl |
Curl placed completely off the base; allows for the greatest mobility. |
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No-stem curl |
Curl placed on its base; produces a tight, firm, long-lasting curl and allows minimum mobility. |
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Shaping |
Section of hair that is molded in a circular movement in preparation for the formation of curls . |
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Ridge curls |
Pin curls places immediately behind or below a ridge to form a wave |
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Ribbining |
Technique of forcing the hair between the thumb and the back of the comb to create tension. |
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Open-center curls |
Pin curls that produce even, smooth waves and uniform curls. |
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Carved curls |
Also known as sculptured curls; pin curls sliced from a shaping and formed without lifting the hair from the head. |
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Skip waves |
Two rows of ridge curls, usually on the side of the head. |
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Closed-center curls |
Pin curls that produce waves that get smaller toward the ends. |