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22 Cards in this Set
- Front
- Back
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Georgia sea island singera (song) |
The buzzard lope Style: African American folk Form: cyclic |
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Bessie Smith (song) |
Reckless Blues Style: vaudeville blues Form: 12-bar blues |
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Wilbur sweatman (song) |
Down Home Rag Style: ragtime/early jazz Form: March/ragtime |
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Jelly Roll Morton (song) |
Dead man blues Style: New Orleans Jazz Form: 12-bar blues |
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King Oliver (song) |
Snake rag Style: New Orleans Jazz Form: March/ragtime |
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Paul Whitman (song) |
Changes Style: early New York big band Form: 32-bar popular song |
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James p. Johnson (song) |
You've got to be modernistic Style: Harlem Stride Form: march/ragtime |
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Duke Ellington (song) |
Black and tan fantasy Style: early New York big band Form: 12-bar blues contrasting with 16-bar interludes |
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Louis Armstrong (song) |
West End blues Style: New Orleans Jazz Form: 12-bar blues |
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Louis Armstrong and Earl Hines (song) |
Weather bird Style: Early Jazz Form: March/ragtime |
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Bix Beiderbecke and frank trumbauer (song) |
Singin the blues Style: Chicago-style jazz Form: 32-bar popular song |
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Buddy Bolden |
First jazz celebrity Loud, persuasive, dance-oriented Plays cornet |
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Hot fives/ Hot sevens |
Only were meant to record music |
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Louis Armstrong (life) |
Able to play high notes with ease Was known to be very happy |
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Tin pan alley |
Refers to the pop industry 32-bar pop song form Set Jazz standard |
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Arranger |
Pre-existing composition and turns it into a new alsomble |
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Arranger |
Pre-existing composition and turns it into a new alsomble |
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Harlem renaissance |
Went from being high end black neighborhood to a place of African Americans brought together to share their talents |
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Stride piano |
Using left hand |
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Jelly roll Morton (life) |
Played in high class places Pianist, composer, bandleader New orleans band |
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Joe "king" oliver |
Creole jazz band |
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Sidney Bechet |
Soprano saxophonist Taught himself clarinet Played in marching bands Popularized jazz abroad |
