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43 Cards in this Set
- Front
- Back
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Muybridge
Horse in Motion 1878 |
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Matisse
The Joy of Life 1905-06 |
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Picasso
Les Demoiselles d'Avignon 1907 |
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Kirchner
Street, Dresden 1908 |
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Harmony in Red
Matisse 1908 |
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Kandinsky
Sketch for Composition II 1909-10 |
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Matisse
Music 1909-10 |
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Picasso
Portrait of Kahnweiler 1910 |
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Schiele
Schiele, Drawing a Nude Model Before a Mirror 1910 |
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Braque
The Portuguese 1911 |
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Marc
The Large Blue Horses 1911 |
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Balla
Dynamism of Dog on a Leash 1912 |
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Braque
Fruit Dish and Glass 1912 |
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Picasso
Maquette for Guitar 1912 |
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Boccioni
Unique Forms of Continuity in Space 1913 |
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Duchamp
Bicycle Wheel 1913 |
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Kandinsky
Composition VII 1913 |
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Duchamp
3 Standard Stoppages 1913-14 |
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Malevich
Installation Photo of his paintings in 0, 10 exhibition 1915 |
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Tatlin
Counter-Relief 1915 |
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Ball
Hugo Ball reciting the poem Karawane at the Cabaret Voltaire, Zurich 1916 |
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Arp
Collage Arranged According to the Laws of Chance 1916-17 |
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Duchamp
Bottle Rack 1917 |
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Duchamp
Fountain 1917 |
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Malevich
Suprematist Composition: White Square on White 1918 |
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Janco
Mask 1919 |
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Hoch
Cut With the Kitchen Knife 1919-20 |
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Tatlin
Model for Monument to the Third International 1919-20 |
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Taeuber
Dada Head 1920 |
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Heartfield
Little German Christmas Tree 1934 |
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Appropriation
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often refers to the use of borrowed elements in the creation of new work. The borrowed elements may include images, forms or styles from art history or from popular culture, or materials and techniques from non-art contexts.
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Ready-mades
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Manufactured objects promoted to the dignity of art by the choice of the Artist.
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Bicycle Wheel
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Duchamp 1913
Playful - something to look at like wealthy looked at their fireplaces Assisted Ready-made - altered object Bicycle wheel mounted by its fork on a painted wooden stool. He fashioned it to amuse himself by spinning it, "...like watching a fire... It was a pleasant gadget, pleasant for the movement it gave." The first readymade, though he initiated the ideas two years later. Bicycle Wheel is said to be the first kinetic sculpture.[ |
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Duchamp
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Artist not as a maker but as a responder
Tired of Retinal Art |
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Duchamp/Tatlin
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Duchamp Ambivalent Consumer surrounded by things to consume and makes choices
Tatlin Active producer |
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Model for the Monument at the Third International
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Kinetic Energy
1300 ft tall Optimistic about the revolution - figures someone will figure out how to build it Bureaucrats bottom 1 time a year Thinkers top once a day |
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Faktura
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The visual demonstration of properties inherent to materials.
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Avant-garde
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Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm.
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Chronophotography
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Victorian application of science (the study of movement), and art (photography). It is the technique precursor to cinematography
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Les Fauves
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(French for The Wild Beasts) were a short-lived and loose grouping of early 20th century Modern artists whose works emphasized painterly qualities and strong colour over the representational values retained by Impressionism.
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Counter-Relief
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Tatlin 1915
Engages Space Working Class Esthetic Working Class - Industrial Materials Anti Elitism Anti Estheticism Thought he would find things out about materials that the working man could benefit from |
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Cubism
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Distortion
Flattened Space Fragmentation Restricted Palette Grid/scaffold |
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Fauve
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Purity of means
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