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35 Cards in this Set

  • Front
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Aerial view of the Dome of the Rock, Jerusalem, 687–692; marble and ceramic tile mosaics, gilded wood, and painted stucco

Court of the Lions, Palace of the Lions, Alhambra, Granada, Spain, 1354-1391; sun dried brick and stucco.

SINAN, Mosque of Selim II, Edirne, Turkey, 1568–1575; ashlar masonry with marble revetement.

Mihrab from the Madrasa Imami, Isfahan, Iran, ca. 1354. Glazed mosaic tilework, 11 ’ 3 ” X 7 ’ 6 ”. Metropolitan Museum of Art, New York.

Purse cover, from the Sutton Hoo ship burial in Suffolk, England, ca. 625. Gold, glass, and cloisonné garnets, 7 1/2” long. British Museum, London.

Saint Matthew, folio 25 verso of the Lindisfarne Gospels, from Northumbria, England, ca. 698–721. Tempera on vellum, 1 ’ 1 1/2 ” X 9 1/4 ”. British Library, London.

Equestrian portrait of Charlemagne or Charles the Bald, from Metz, France, ninth century. Bronze, originally gilt, 9 1/2 ” high. Louvre, Paris.

Crucifixion, front cover of the Lindau Gospels, from Saint Gall, Switzerland, ca. 870. Gold, precious stones, and pearls, 1 ’ 1 3/8 ” X 10 3/8 ”. Pierpont Morgan Library, New York.

Psalm 44, detail of folio 25 recto of the Utrecht Psalter, from Hautvillers (near Reims), France, ca. 820-835. Ink on vellum, full page, 1’ 1” X 9 7/8”;detail, 4 ½” high. University Library, Utrecht.

Column with reliefs illustrating the life of Christ, commissioned by Bishop Bernward for Saint Michael’s, Hildesheim, Germany, ca. 1015–1022. Bronze, 12’ 6” tall. Dom-Museum, Hildesheim.

Nave of the church of Saint Cyriakus, Gernrode, Germany, 961–973; stone and wood.

Otto III enthroned, folio 24 recto of the Gospel Book of Otto III, from Reichenau, Germany, 997–1000. Tempera on vellum, 1 ’ 1 ” x 9 3/8 ”. Bayerische Staatsbibliothek, Munich.

Schematic plan for a monastery at Saint Gall, Switzerland, ca. 819. Red ink on parchment, 2 ’ 4 ” X 3 ’ 8 1/8 ”. Stiftsbibliothek, Saint Gall.

South portal of Saint-Pierre, Moissac, France, ca. 1115–1135. Left: general view. Right: detail of tympanum with Second Coming of Christ; stone and wood

Aerial view (looking northwest) of Saint-Sernin, Toulouse, France, ca. 1070–1120; brick and stone.

Virgin and Child (Morgan Madonna), from the Auvergne, France, second half of twelfth century. Painted wood, 2 ’ 7 ” high. Metropolitan Museum of Art, New York (gift of J. Pierpont Morgan, 1916).

Hildegard receives her visions, detail of a facsimile of a lost folio in the Ruperts-berger Sciviasby Hildegard of Bingen, from Trier or Bingen, Germany, ca.1150–1179. Abbey of St. Hildegard, Rüdesheim /Eibingen. Ink on animal skin.

Cathedral complex, Pisa, Italy; cathedral begun 1063; baptistery begun 1153; campanile begun 1174; bearing masonry, cut stone, white marble.

Interior (left) and lateral section (right) of Durham Cathedral, England ,begun ca.1093; sandstone and glass.

Funeral procession to Westminster Abbey (top) and Battle of Hastings (bottom), details of the Bayeux Tapestry, from Bayeux Cathedral, Bayeux, France, ca. 1070-1080. Embroidered wool on linen, 1’ 8” high (entire length of fabric 229’ 8”). Centre Buillaume le Conquerant, Bayeux.

Royal Portal, west facade, Chartres Cathedral, Chartres, France, ca. 1145–1155; limestone and wood.

ROBERT DE LUZARCHES, THOMAS DE CORMONT, and RENAUD DE CORMONT, interior of Amiens Cathedral (looking east), Amiens, France, begun 1220; stone masonry.

Virgin and Child (Virgin of Paris), Notre-Dame, Paris, France, early fourteenth century; marble.

Blanche of Castile, Louis IX, and two monks, dedication page (folio 8 recto) of a moralized Bible, from Paris, France, 1226–1234. Ink, tempera, and gold leaf on vellum, 1 ’ 3 ” X 10 1/2 ”. Pierpont Morgan Library, New York.

Notre-Dame (looking north), Paris, France, begun 1163; nave and flying buttresses, ca. 1180–1200; remodeled after 1225; stone, glsass, lead plates.

Aerial view of Salisbury Cathedral, Salisbury, England, 1220–1258; west facade completed 1265; spire ca. 1320–1330; limestone, glass, marble.

Interior of Salisbury Cathedral (looking east), Salisbury, England, 1220–1258; limestone, class, marble.

NAUMBURG MASTER, Ekkehard and Uta, statues in the west choir, Naumburg Cathedral, Naumburg, Germany, ca. 1249–1255. Painted limestone, Ekkehard 6’ 2” high.

NICOLA PISANO, Annunciation, Nativity, and Adoration of the Shepherds, relief panel on the baptistery pulpit, Pisa, Italy, 1259–1260. Marble, 2’ 10” x 3’ 9”.

CIMABUE, Madonna Enthroned with Angels and Prophets, from Santa Trinità, Florence, Italy, ca. 1280–1290. Tempera and gold leaf on wood, 12 ’ 7 ” x 7 ’ 4 ”. Galleria degli Uffizi, Florence.

Giotto di Bondone, Arena Chapel Frescos (Cappella Scrovegni; interior looking west), Padua, Italy, 1305–1306; fresco.

GIOTTO DI BONDONE, Lamentation, Arena Chapel, (Cappella Scrovegni), Padua, Italy, ca. 1305. Fresco, 6’ 6 3/4” x 6’ 3/4”.

DUCCIO DI BUONINSEGNA, Virgin and Child Enthroned with Saints, principal panel of the Maestà altarpiece, from the Siena Cathedral, Siena, Italy, 1308–1311. Tempera and gold leaf on wood, 7’ x 13’ (center panel). Museo dell’Opera del Duomo, Siena.

SIMONE MARTINI AND LIPPO MEMMI(?), Annunciation, altarpiece, from Siena Cathedral, Siena, Italy, 1333 (frame reconstructed in the19th century). Tempera and gold leaf on wood, center panel 10’ 1” x 8’ 8 3/4”. Galleria degli Uffizi, Florence.

Ambrogio Lorenzetti, Peaceful City, detail from Effects of Good Government in the City and in the Country, Sala della Pace, Palazzo Pubblico, Siena, Italy, 1338–1339. Fresco.