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29 Cards in this Set

  • Front
  • Back
Setting

where and when astory takes place

Exposition
the basic situation or introduction of a pieceof fiction

Climax <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the point of highest interest

Denouement <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the conclusion or resolution of a piece offiction

Foreshadowing <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


hints of clues ofwhat's to come<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Red Herring
false hints or clues intended to confuse thereader

Protagonist <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the MAIN character(not always the good guy)<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Antagonist <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the character whocomes into conflict with the main character (not always the bad guy)<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Round Character

a well-developed,three-dimensional character<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Flat Character

an underdeveloped,two-dimensional character<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Dynamic Character <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


a character whochanges over the course of the story<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Static Character <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


a character whodoesn't change over the course of a story<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Stock Character <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


a character we seeagain and again in literature (the town drunk, the bumbling cop, the
nerd, etc.)<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


First Person <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the narrator IS acharacter in the story<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Third Person <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the narrator IS NOT acharacter in the story<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Verbal Irony <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the intended meaningof a statement differs from the meaning that the words appear to
express<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Situational Irony <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the opposite of whatthe reader expects to happen happens<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Dramatic Irony <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the reader oraudience knows something the characters in the story or play don't<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Tone <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


the attitude of theauthor toward the characters, subject matter, reader, etc.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Symbolism <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


signify ideas andqualities by giving them symbolic meanings that are different from their
literal sense<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Allusion

a brief and indirectreference to a person, place, thing or idea of historical, cultural, liter
ary or political significance<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Theme <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


a main idea or anunderlying meaning of a literary work that may be stated directly or
indirectly<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Metaphor

a resemblance of twocontradictory or different objects is made based on a single or some commoncharacteristics<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Simile

draws resemblancewith the help of the words "like" or "as"<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Alliteration <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


a number of words,having the same first consonant sound, occur close together in a series<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Personification <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


giving humancharacteristics to things that aren't human<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Pathetic Fallacy <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


giving human emotionsto things that aren't human<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Onomatopoeia <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


words that sound likewhat they mean<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


Hyperbole <?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />


exaggeration forliterary effect<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />