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110 Cards in this Set
- Front
- Back
Producer
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Person who secures the funding and has control of the show,
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Artistic Director
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May direct the show in charge of oversight of all artistic decisions of the theatre
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Managing Director
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Governs the money end of the theatre
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Development
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??
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Marketing
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Adverting,social networking, T.V. Magazine's newspapers ect. Makes sure the public knows about the production.
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Company Manager
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Tends to the creature comforts of the artist, making sure that the actor (s) have the things that makes life as normal as possible and comfortable while away from home
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Box Office Staff
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Should be people friendly, know about the the work and able to express to the consumer what is being presented
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House manager
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over sees the house deals with the comfort of the patron's
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Usher
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Helps to guide the patrons to their seats and hands out programs to the patrons. Looks out for any problems
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Playwright
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creates the dialog of the literature
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Director
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guides the movement with in the physical movement of the play, responsible for the concept of the show. His name is associated with the play.
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Actors
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portray the work of the playwright telling the story as a living part of art.
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Production Manager
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over sees al the production elements, seasons, scheduling, lighting and tech areas.
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Stage Manager
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is the hub of communication keeping all in touch with each group of people, is the only one who is there from the very first to the very end.
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Prompt book
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a copy of the script with details about each actor's blocking as well as the location of all sets,props, lights and sound cues.
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Call the show
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to tell specific action, also know as a bit, preformed by an actor during the play
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Rehearsal vs tech/run
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Tech run: run through of the play with what includes the scene's and props no actors are included unless a part of the prop.
Rehearsal: actual run through of the play with actors and props and scenes. |
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Backstage Etiquette
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your job is your focus, no horse play, no extreme talking, ect.
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Stage crew
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various individuals that is supporting back stage activity
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Shift
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scene change, moving prots..
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Wardrobe
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make sure clothing is ready for the actors, help the actors to get in to wardrobe and help with make-up, help with quick changes and emergency repair
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Light Board Operator
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Should the computer fail, should know and understand how the light board operates, know and understand how to manually dim and brighten the lights.
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Spot Operator
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operate the spot light, they end up being a part of the show having to following the actors in a smooth fashion
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Sound Operator
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Operates the sound board, must understand and know how the sound board works.
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Scenic Designer
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design all sets, creates the physical world of the play
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Lighting Designer
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determine how they are going to light the physical light of the world of the play
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Make up Designer
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will determine how the actor will be seen, all parts of the actor that will be in the scene.
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Hair Designers
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will determine how the actor will be seen in accordance to the how the actor will look.
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Sound Designer
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determines what will be heard by the audience with in the play, music, sound effects ect.
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Projections Designer
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determines the line video feed on stage. where cameras will be positioned to get the action
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Technical Designer
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in charge of the scenery for the physical world of the play and will over see the painting of the scene
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Scene Shop Foreman
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oversees the shop
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Carpenter
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constructs what is designed rather it is out of wood or plastic, what ever it takes to get the effect.
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Paint Charge/ Scene Artist
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oversee how the scene is painted
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Property Master/Manager
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Tends to the loose items that are easily picked up and moved.
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Master Electrician
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Make sure lighting is cabled and focused and maintained for the play
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Electrician
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supports staff for the Master electrician
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Costume Shop Supervisor
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over sees the construction of the costumes.
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Costume Crew
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include: Draper, Cutter, First hand (the one doing the cutting) stitcher, Dyer, painter, millner (shoes), wig-master.
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Audio Engineer
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support sound designer and maintain the equipment
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Projectionist
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?
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Production Team
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everyone working on the production
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Production Design Team
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Include: Designers, Director and Producer
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Production Sequence
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Script or idea development
Concept meetings Design Construction Rehearsal Load in Technical Rehearsals Previews Opening |
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Test Question: Good Communication is Essential for a good
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Production
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Concept Meetings:
Production Concept: |
how will the idea be approached.
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Design (phase)
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Set Design
Costume Design Lighting Design Sound Design Projection Design |
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Set Design: includes
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Ground plans
elevations model rendering |
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Ground plans
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a picture looking down at the space an locates the furnishings
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Elevations:
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vertical picture of what is seen
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Model
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3D representation to scale
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Rendering
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3D representation of a 2D piece of paper
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Costume Rendering
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drawing giving 3D view of costume on a 2D paper will include swatches of fab most times.
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Light plot
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gets developed on top of the drawing to see where lights are to be best placed
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Hook up (channel hook up)
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paper works like a spread sheet, info of channels by where dimmers are to be place, is what doest he action of making light brighter or dimmer.
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Sound Plot:
2 types |
1) physical layout of how we are going to tun the system
2) list of all the sounds through the show |
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Projection Design:
2 types |
1) physical lay out of equipment
2) List of all projections given |
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Construction Rehearsal
Blocking: |
Working through the play physical, called staging and blocking. working on chartor development and perfecting the flow of the play
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Load-in
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physical bring the tech elements in to the space where the play is to be preformed.
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Technical Rehearsals include:
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Shift Rehearsal
Cue Paper Tech Cue to Cue or Dry tech Dress Rehearsals |
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Shift Rehearsals
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working through the movement of the scenes does not include the actors unless they are a part of the physical movement of the scenes
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Types of Cue's
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Lighting
Sound Project |
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Paper Tech
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layout the cue for production on paper no physical action on stage put in a book for all to keep cue and put in the prompt book
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Cue to Cue
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?
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Dress Rehearsals:
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run show in costume, practice run in full costume making sure all runs smoothly
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Previews:
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run of show with audience (not opening) can still make changes to show at this time.
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Opening:
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every thing is locked in place and nothing can be changed at this time, includes a live audience (Paid full ticked price)
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On test: The design process is a method for finding answers to
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questions
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Design Process includes:
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Commitment
Analysis Research incubation Selection Implementation Evaluation |
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Commitment
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if commented tot he show you are facing challenges not problems, if the other way around you do not need to be there.
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Analysis:
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Read play many times,
1) read for fun 2) look at whats in the play look for moments and beats (rhythm) of the play 3) mechanical items. during this time we need to question and be questioned, and design team must relay information they want to get across to the group |
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Research:
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Background
Conceptual be open to ideas of another team mate and thing around you. going to the place that the setting may be coming out of... |
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Incubation
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Rest period, time away to allow idea's to develop
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Selection
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choices made and able to commutate these ideas.
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Implementation
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finished design work how these changes will work and move the work forward.
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Evaluation:
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Evaluate every step and along the way consider along the way how you are processing, understand the process and how you can improve the next production.
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Style
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specific compositional characteristics that distinguish the appearance of one type of design from another: for example, realism, expressionism, surrealism, and so forth.
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Production Style
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a recognizable pattern of elements, both visual and intellectual, based on social and political history, used to create the environment for the production of a particular play
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Design Styles and periods
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indicate the major stylistic elements that are common during a particular period of time.
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Stylization
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the use of specific compositional elements characteristic of a particular style or period that create the essence of that style or period
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Literary Style and theatrical design
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style in which a script is written provides major clues for the designer
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Line
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a mark that connects two points
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Shape
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any line that closes a space creates a shape.
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Mass
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is the three-dimensional manifestation of shape
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Measure
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the ability to judge the size of objects and the relative distance between them with out the aid of measuring devices.
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Position
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the relative location of adjacent shapes of masses.
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Unity
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the creation of a stylistic plan to which all parts of the design subscribe.
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Harmony
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the sense of blending and unity that is obtained when all elements of a design fit together to create an orderly, congruous whole.
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Contrast
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in composition can be defined as the juxtaposition of dissimilar design elements.
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Variation
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allows visual interest in the whole deign is heightened.
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Balance
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achieved by arranging the design elements to give a sense of restfulness, stability, or asymmetrical
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Proportion
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involves the harmonious relationship of the parts of an object to each other or to the whole.
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Emphasis
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involves directing the audience's attention to a specific place.
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Symmetrical balance
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Correspondence in size, form, and relative position of parts on either side of a center dividing line: mirror image balance.
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Asymmetrical balance
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A sense of equipoise achieved through dynamic tension created by the juxtaposition of dissimilar design elements.
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Acting Area
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those areas of the stage on which specific scenes, or parts of scenes, are played.
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Color
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a perception created in the brain as a result of stimulation of the retina by light waves of a certain length.
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Hue
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is the quality that differentiates one color from another, such as blue from green or red from yellow
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Saturation or Chroma
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refers to the amount centage, of a particular hue in a color mixture
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Value
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The relative lightness or darkness of a color is referred to as value. Pale blue has a high value, and dark brown has a low value.
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Tint
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a color with a high value is referred to as a tint. It is usually achieved by mixing a hue with either white pigment or white light.
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Shade
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a color with a low value is know as a shade. It is usually created by a mixture of one or more hues and black.
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Tone
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A color of middle value, it is a mixture of a hue with black and white.
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Complementary
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two hues, that when combined, yield white in light or black in pigment colors that are opposite each other on the color wheel.
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Primary colors
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are those hues that cannot be derived or blended from any other hues. such as red blue, yellow
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Secondary colors
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hues that are a result of mixing two primary colors, such as purple green orange.
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Pigment
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a material that imparts color to a paint or die
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Subtractive color mixing
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If the glass in the window is coloree, another type of filtering takes place. Colored filters allows only their own hue to pass through the filtering medium: they absorb all other wavelengths of light.
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Neutralization
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Subtractive color mixing the selective absorption of light as the result of mixing complementary pigment hues the creation of gray
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Additive color mixing
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when several individual hues are transmitted to an overlapped to created a desired color.
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