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20 Cards in this Set
- Front
- Back
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Barnett Newman, Vir Heroicus Sublimus, 1950-51 (Postwar America, Color Field Abstract Expressionism) Idea of starting from scratch Zip - line act of interruption Large - painting owns you |
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Jackson Pollock, Autumn Rhythm, 1950 (Postwar America, Gestural Abstract Expressionism) "finished work is nothing without the process" killed painting entered canvas |
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Jean Dubuffet, Female Nude, 1945 ([Post]war Europe, Art Informel) Child like but unsettling rejection of anatomy |
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Jean Fautrier, The Jewess - Hostage, 1943 ([Post]war Europe, Art Informel) formless haute pate - high paste, cut into it small due to lack of space - in hiding |
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Alberto Giacometti, City Square, 1948 (Postwar Europe, Return to Figuration) distorted human shape heavy base absolute distance - do not see any more detail up close |
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Francis Bacon, Study after Portrait of Pope Innocent X by Velasquez, 1953 (Postwar Europe, Return to Figuration) classical figure with distorted unsettling representation |
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Robert Rauschenberg, White Painting, 1953 (The 1950s, Neo-Dada) Visual of John Cage 4 mins of silence, chance, real time white painted panels (1-7) |
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Robert Rauschenberg, Bed, 1955 (The 1950s, Neo-Dada) Combine - 2d vs 3d, painting vs sculpture, vertical vs horizontal, fine art vs everyday Paint with everyday item pillow on canvas vertical bed |
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Jasper Johns, Painted Bronze (Ale Cans), 1960 (The 1960s, Neo-Dada) Cans (every day) into Bronze (fine art) Taking something that is mass produced and make it individual ( see differences) |
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Roy Lichtenstein, In the Car, 1963 (The 1960s, Pop Art) Benday Dot - coloring tech Primary color tell story in one scene |
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James Rosenquist, President Elect, 1960-61 (The 1960s, Pop Art) Large scale ( like billboard) American - new hope, cars, american dream mesh of advertisment and art painted college |
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Andy Warhol, Brillo Box, 1964 (The 1960s, Pop Art) Something from everyday into art Mass production |
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Andy Warhol, Pink Race Riot, 1963 (The 1960s, Pop Art) Bright color - media over saturation Hard times Screen printing - all about imagery not artist hand |
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Claes Oldenburg, The Store, 1961 (The 1960s, Environment/Happening) Buying and Selling Filled shop with messy every day objects he made (plaster paper) Environment - surrounded by work Happening - Part of art without knowing |
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Yoko Ono, Cut Piece, 1964 (The 1960s, Fluxus) gender politics cut clothes off chance interactive |
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Dan Flavin, Monument to V. Tatlin, 1964 (The 1960s, Minimalism) industrial material inspired by Russian constructionist not trying to question art interactive (due to light not being physical) |
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Robert Morris, L-Beams, 1965 (The 1960s, Minimalism) Gestalt - Wholeness, know what your looking at, minimize distractions body relationship to form (height) People will experience differently Apripori - in advance, not intuitive |
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Sol Lewitt, Untitled (The Xerox Book), 1968 (The 1960s, Conceptualism self exaustive system - closed system, a priori all about concept created system |
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Lawrence Weiner, A Rectangular Removal... (The Xerox Book), 1968 (The 1960s, Conceptualism) Language - democratic, everyone can understand activate in mind |
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Hans Haacke, Shapolsky et al., Manhattan Real Estate Holdings..., 1971 (The 1970s, Conceptualism) public records of the gallery owners ect institutional art who is making the money on the artists |