Elisabeth Hasselbeck

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    ideas and making my own contribution to it. But there I was—silent. After modest debate, we voted 18-9 to not renew the contract. A decision made in pursuit of congruency with our support of the LGBTQ+ community, I instead voted to renew. Borrowing from the works of Kierkegaard and de Beauvoir, I found myself pulled between the competing values of liberty and tolerance. My silence was no endorsement, but a moment of raw uncertainty. After discussion with friends and a deal of reflection late that evening, I came to recognize that tolerance includes those we find disagreeable. I could have let the decision go, but students deserve better. Driven to action, I worked through a rolodex of media contacts the next morning. *** Fox News’ Elisabeth Hasselbeck was wired in my ear. Behind me sat a pre-recorded loop of the moonlit Indianapolis skyline—a sharp contrast to my nervous demeanor. From start to finish the interview ran just three minutes. No Oscar performance, for a first run it was respectable. Hoping to gauge reaction when I walked out the door, I turned to Twitter. I was greeted by an outpour of support. Quickly dubbed the "Chick-fil-a Guy”—a moniker I still humor—I hoped this interview would raise awareness of the decision. Not everyone in my life received this so warmly. The most gripping illustration was a chance encounter with a fellow member of the Singing Hoosiers, a choir I was active in. While having lunch with a friend the next afternoon, I remember cutting…

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    The protest was a movement that came together by students, faculty and staff, as well as the community to reach their goal, which was to get a Deaf President. Protestors believed that it was time to have a President that understood them; their culture, and they believed it was only right for a Deaf person to run the worlds only Deaf University for students. When the university was noticed that Elisabeth Ann Zinser was to be the University’s first non-hearing president, this is when the…

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    This series started off well because it allowed older viewers to re-immerse themselves back in Elisabeth Sladen’s performance who has been ‘associated with what has been seen as the “golden age” of the classic series’ (Garner. 161) of Doctor Who, and for the younger audience it was created to be aimed for, it easily introduced many of the main cast members as well as the well-known character Sarah Jane. Looking into the narrative form for this episode, it starts with a narration from Sarah Jane…

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    Describe the Situation: Grief is an individual’s natural coping mechanism when dealing with the loss of someone/something no longer in their life. As portrayed by Heart to Heart Hospice, “grief is the natural way we cope with loss” (When You Are Grieving, 2013). Heart to Heart Hospice, located in Indiana, Michigan and Texas, is a hospice agency that provides services for individuals with incurable illnesses and their loved ones. To obtain contact information, services provided or local…

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    Élisabeth-Louise Vigée-LeBrun, a Rococo era painter turned Neoclassical, was born in Paris on April 16, 1755. She lived to be eighty—seven as “one of the foremost portraitists in Europe at the end of the eighteenth century and during the first three decades of the nineteenth” (NGA, web) (May, 1). Spanning a long career with over 600 paintings, Vigée-LeBrun is “characterized” and marveled “…as the much sought-after portraitist of not only European royalty and nobility, but also of notable…

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    Élisabeth-Louise Vigée-LeBrun, a Rococo era painter turned Neoclassical, was born in Paris on April 16, 1755. She lived to be eighty—seven as “one of the foremost portraitists in Europe at the end of the eighteenth century and during the first three decades of the nineteenth.” (NGA, web) (May, 1) Spanning a long career with over 600 paintings, Vigée-LeBrun is “characterized” and marveled “…as the much sought-after portraitist of not only European royalty and nobility, but also of notable…

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    It seems like TLC, the station that produces the show, is only interested in exploiting the Gosselin children and treating them as commodities. They claim already to have seen signs of adverse effects and resentment among the children at the constant cameras zooming in on their every move. Every birthday party or outing for the children is organized by a production company with their eyes on the highest ratings. Kate, it seems, is only interested in her newfound fame, and not so much as in…

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