Donaldson v Beckett

Copyright in the Music Industry Copyright is the right that persists in a number of works. Copyright is created as soon as the piece of work is put into a material form. An idea cannot be copyrighted, only the expression of one can. In the UK, copyright is protected under the UK CDPA 1988 (Copyright, Designs and Patents Acts). This act protects the copyright of literary works, musical works, artistic works, dramatic works, films, sound recordings, broadcasts and typographical arrangements. Copyright for musical and literary works lasts for 70 years, after the creator's death. However sound recording copyright only lasts for 50 years after a first calendar year in which the works was made or released to the public. In terms of authorship, the author of the works is usually the primary author of those works. It is possible for there to be more than one author within a piece of work. In terms of sound recording however, it is the Music Producer that has the authorship of these works. In general it is the author that is the first owner of these works. nonetheless if these works are created as part of a contrary agreement with an employer, e.g. an artist signing with a record label. Then the employer is the holder of the ownership. Yet there is a difference from ownership of a physical product and ownership of the copyright. For example, if someone was to by a CD, they have only bought the right to have permission to listen to said music. They have not bought the ownership of…

The Style of Beowulf A consideration of the stylistic features in the classic poem Beowulf involves a study of the poetic verse, the vocabulary, alliteration, litotes, simile, kennings, variation and double-meaning or ambiguity. The poetic conventions used by this poet include two half-lines in each verse, separated by a caesura or pause. The half-lines are joined by the oral stressing of alliterative words in the half-lines, both consonants and vowels (Tharaud 34).…

In fact, the way in which Elizabeth Bowen delineates her disoriented national identity becomes the most alluring aspect in the novel. The two family homes, Holme Dene and Mount Morris serve as key representers for London and Ireland respectively. Stella’s visit to Mrs. Kelways house provides her the motivation to shift her thoughts from ignorance to knowledge about Robert. Mount Morris, on the other hand, restores Stella’s vision of her heritage but she quickly realizes that she could never live…

onto when reading The Fall, readers are, in a sense, forced to accept the idea of a subjective reality. No Man’s Land, a play written by Harold Pinter, further explores the theme of reality and it’s relationship to existentialism. Two men in their sixties, Hirst and Spooner, are talking in Hirst’s living room. They have just met at a bar. They are both drinking, which is evident from the somewhat choppy dialogue. The encounter seems choppy as well. At first the two men seem like strangers but…

Evaluating the Intertwining of First Native Culture and Indigenous Literature: Richard Wagamese’s Indian Horse In English literature a formalist movement in the mid 20th century that emphasized the relationship between a text’s idea and its form - known as New Criticism - continues to strongly influence modern academic writing. New Criticism specifies that the object of study ought to be the text itself, not the response or the motivation of its author or readers. Rarely do New Criticism texts…

“Nothing happens. Nobody comes, nobody goes. It's awful.” This quote extracted from Waiting for Godot, an absurdist play by Samuel Beckett that premiered on 5 January 1953, holds the essence of absurdist theatre and what its playwrights seek to express- the inescapable meaningless and futility of life. The origins of absurdist theatre are commonly linked to the avant-garde experimentations of the 19th century, but there has been speculation that there were traces of absurdist theatre in works…

ASSIGNMENT 7: ESSAY After analysing the character of Yossarian from Joseph Heller’s Catch 22 in comparison to Gilgamesh from The Epic of Gilgamesh, we can conclude by saying that post-modern writers often went back to classical literature for inspiration. This statement can be proven by referring to the similarities and differences between the protagonist as well as the archetypal plots and themes. In literature we find two types of heroes: heroes and antiheroes. The difference between the two…

A simple analysis on Oscar Wilde’s Salome Oscar Wilde was an Irish playwright, novelist, essayist, and poet. Scintillating with wit, he has left many talented works, and he was famous for his poems, fairy tales, novel and plays. First written in French, Salome was a single-act tragedy, which became his representative work of aestheticism. Originally, the story of Salome was come from the Bible (the New Testament: Mark 6:17-29 and Matthew 14:3-11), in which the name Salome wasn’t even mentioned.…

CHAPTER 1: CONCEPT OF FREEDOM George Bernard Shaw was an Irish playwright and a critic. His work as a London newspaper critic of music and drama emerged in The Quintessence of Ibsenism. His celebrated plays include Arms and the Man, You Never Can Tell and The Devil’s Disciple. His works present a bold intellectual criticism sugar-coated by a pretended lightness of tone. He rebelled against disordered thinking, and sought to puncture pierce pretensions. In the essay Freedom, G.B.Shaw reveals his…

An open definition of the 'suspension of disbelief' is the act of disbelieving the already-known knowledge to permit new information to be taken into consideration for a brief period of time. The suspension of disbelief in theatre is the act of suspending disbelief, to immerse oneself in the fictional nature of performance. It’s in human nature to use ways of knowing such as imagination and sense perception to entertain ourselves. Therefore, it is one the ways of knowing we usually rely on to…