The Trojan Women Essay

by Kindergarten” shows that ads only sell products and not ideas. But behind the rose-tinted glass, ads show that women are being labeled by marketers. This leads to stereotyping and generalizations of women. When something becomes generalized by the population it is automatically accepted as the truth. Labels on women should not stigmatize them and should not exist. Ads do not let women be who they want to be, but what advertisement considers who a woman should be. This demonstrates how…

From time to time, there have been adjustments classifying women with the appropriate label as a “good” or “bad” girl. Up to this present day, a woman representing herself as a “good” girl confirms her actions as an upright woman in society whereas it also holds a negative connotation. In fact, a woman portraying herself as a “bad” girl establishes her behavior as unladylike but at the same time attractive for men. Nonetheless, Shakespearean scholars can agree that being a “good” girl during…

Jennifer Love Hewitt said, “To all girls with butts, boobs, hips and a waist, put on a bikini—put it on and stay strong.” For some time now there has been a shift in what the perfect size is for women. Society has created an image deemed as “the right way to look” that young girls want to live up to. In the 60s, people looked up to Marilyn Monroe as the model of the perfect body figure. She was a 5 feet 6 inches tall, a size 16 with a 35-inch bust and a 22-inch waist. Her bra size was a 36D…

took it upon themselves to “protect” women. These men created the ideals of the Cult of True Womanhood, and worked to preserve these virtues at all costs. The Cult oppressed both black and white women of this time because the men forced them to adhere to this restrictive lifestyle. While the Cult was made to restrict the actions of all women, it specifically applied to white women because black women were seen as incapable of being lady-like. Black women were forced to obey the restrictions…

her fill-the-room grin brightens the scene and you think to yourself, “gee, I wish I could be as famous as her.” Cleopatra, Joan of Arc, Abigail Adams, Marilyn Monroe, Rosa Parks, Beyonce are a few names that come to mind when we think of “famous women in history.” In a high school assembly I learned that there are a few kinds of people in the world: those who make the news, those who report the news, and those who watch the news. The news is like watching history in the making, and so many…

like “talented,” “complex,” and “unconventional” in describing both the women they promote—like April’s cover star, Shailene Woodley—and the women they seek to reach. Attempting to support her case for the “everygirl,” Myers describes the magazine’s continuous efforts to represent not only occupational models, but additionally women who are “model citizens,” “model power brokers,” “model creatives,” and overall “model women.” Why then, should Amy Schumer, the “everygirl,” feel so offended by…

In all three of the Vignettes, Esperanza seems to have struggled with self definition or identity. In “My Name,” Esperanza says her great grandmother was a “wild horse of a woman” who didn’t want to marry but was forced into it (Cisneros ). She then goes on to comparing her name with the number nine as if the number is unlucky. This proves that she doesn’t want to end up like her great grandmother, but she does know that one day, no matter how strong she is, the same thing will happen…

The New American Girl In the passage from Babbitts and Bohemians: The American 1920s by Elizabeth Stevenson, the flapper is the main focus. During the 1920s, the flapper girl was suddenly there. With them they brought new styles and manners. People either loved the new American girl or loathed them. Either way, the flapper left just as fast as she came. Although she was only here for a short period of time, she had a huge influence on the 20s. Stevenson writes about the flapper girl to show the…

Esperanza use to be selfish and rude to kind people. For example, to get to California in the US, she would have to travel in a poor section of the train, where peasants travel. She was clearly unhappy about this so she says, “ We cannot travel in this car.” While on this train a peasant’s daughter named Mona wanted to hold Esperanza’s porcelain doll. However, her being very selfish in the beginning of the book wouldn’t even let the little girl touch the doll. When a dramatic turn…

something very similar- she puts out a picture of herself that she has altered, because she thinks that is what the men she is looking for want to see. Both of these women, then, misrepresented themselves in the hopes of finding love; however, fundamental differences in their personalities and lives created very different outcomes…