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63 Cards in this Set
- Front
- Back
- 3rd side (hint)
Claus Sluter Well of Moses |
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Melchior Broerderlam Retable de Champmol |
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-depict the Annunciation and Visitation on theleft panel -thePresentation in the Temple and Flight into Egypt on the right panel. - foreshadowed the widespread adoption of oil paints |
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Robert Campin Merode Altarpiece - Annuncation scene |
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-Artists often presented biblical scenes astaking place in a Flemish house - Dress, towel, fire screen, bench symbolizes the vigrins purity - Right panel, joseph making mousetrap (jesus catch devil) - roses show virgins humility |
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Jan Van Eyck Ghent Altarpiece |
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- Jan was the court painter of Philip the Good,duke of Burgundy, in 15th century. - Upper=old testament prophets -Middle= Annunciation -Lower= Donor portraits |
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Jan Van Eyck Arnolfini and his Bride |
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- Secular portrait - making vows, little dog symbolizes fidelity - self portrait in mirror |
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Jan Van Eyck Man in a Red Turban |
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- looking right at painter - Self portrait |
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Rogier Van Der Weyden Deposition |
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- mary + jesus same pose - best representation of agony |
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Rogier Van Der Weyden St.Luke drawing the virgin |
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- st.luke= 1st christian painter - believed to be slef portrait of Rogier - ox identifies it is st.luke |
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Rogier Van Der Weyden Portrait of a Lady |
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- shows fragility |
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Petrus Christus A goldsmith in His Shop - portrays saint eligius |
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- Saint Eligius - Brides girdle symbol of chasity - pretty generic |
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Dirk Bouts Last Supper |
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- 1st use of singular vanishing point - increased complexity by adding servants |
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Hugo Van Der Goes Portinari Altarpiece |
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- Central panel= adoration of the shepards - 15 angels show 15 joys of mary |
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Hans Memling St.John Altarpiece The composition is balanced and serene,the colorsparkling and luminous,and the execution of the highest technical quality , all 15th century flemish qualities |
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- center panel= virgin with saints and angels - to the left and right or mary is saint john the baptist+evangelist - |
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Limbourg Brothers Book of Hours |
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- Expanded the illusionist capabilities of illumination - semi circles show the chariot of the sun as it makes its cycle through the 12 months and zodiac signs - |
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Jean Fouquet Melun Diptych |
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Veit Stoss Krakow Altarpiece |
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- Death and Assumption of the Virgin -Recalls late gothic architeture |
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Tilman Riemenscheider Creglingen Altarpiece |
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- The Assumption |
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Konrad Witz St.Peter altarpiece (miraculous Draught of Fish) |
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- background So accurate was traced back to shores of geneva |
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Michel Wolgemut Nuremberg Chronicle |
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Martin Schongauer Saint Anthony Tormented by Demons (metal engraving) |
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- Metal engraving - hollows of the design, rather than ridges, take the ink - reverse of woodcut |
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Nicola Pisano Puplit of the Bapistry Classical elements include:Corinthian capitals, Rounded arches, Relief sculpture |
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· Baptistery pulpit retains manymedieval design elements. For example the trefoil arches and the lionsupporting columns, but the panels draw on ancient Rome sarcophagus reliefs |
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Bonaventura Berlinghieri Saint Francis Altarpiece - leading painter in italo byzantine style 13th-14th century renaissance |
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- Timeline of Saint Francis' life |
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Cimabue Madonna Enthroned with Angels and Prophets |
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- One of the first artist to break away from the Italo-Byzantine style He relied on Byzantine models. Cimabue depicted the Madonna's massive throne as receding into space |
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Giotto (deplaced the byzantine style) Madonna Enthroned |
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· Giottois considered the first Renaissance painter - Giottoaimed to construct a figure that has substance, dimensionality and bulk-qualities suppressed in favor of a spiritual immateriality in Byzantine andItalo-Byzantine art |
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Giotto Lamentation |
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Duccio MAESTA - saints of siena kneeling at marys feet -59 narrative scenes for the maesta -The back is subdivided into 26 compartments that illustrate the Passion of Christ |
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- Represents Sinese art in its supremeachievement |
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Duccio Betrayal of Jesus |
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Simone Martini and Lippo Memmi Annunciation altarpiece from Siena cathedral |
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Duccio MAESTA (back) (Birth of the Virgin) |
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Ambrogio Lorenzetti Peaceful City |
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Ambrogio Lorenzetti Peaceful Country |
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Lorenzo Maitani Orvieto Cathedral |
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Merovingian Fibulae fastens garments |
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Stave Church, Urnes |
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-shows hiberno saxton art of infusing nature |
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Book of Durrow |
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- each had a coverpage for each evangelist (matthew is shown) |
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Saint Matthew |
Tax collector Winged man or angel Gospel opens with a description of the ancestry of Christ |
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Saint Mark |
first bishop of Alexandria in Egypt Symbol is the lion, king of the desert |
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Saint Luke |
Disciple of saint Paul Painter Symbol is the ox |
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Saint John |
Most important apostle sat next to Jesus at the last supper and ws present at the crucifixion, lamentation, and transfiguration. Author of apocalypse Symbol is the Eagle |
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Lindisfarne Gospels Saint Matthew |
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- marriage between christian imagery and animal- interlace style - Made 3D 2D |
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Book of Kells |
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-Greatest achievement of hiberno saxon art |
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Coronation gospel |
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- used shading instead of lines- classical painting style was one of Charlemagne's many components for Carolingian art. |
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Ebbo Gospel |
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-Of Saint Matthew- Merged classical illusionism and northern linear tradition |
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Utrecht Psalter |
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-wanted the book to appear ancient- has a nervous vitality -acting out king davids psalms |
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Hildesheim Doors |
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- left is the book of Gensis (adams and eve) -Right is the life of christ-(story of original sin and ultimate redemption) |
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Hildesheim Column |
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- ottonian art- 7 spirals in 24 scenes that tell christs life |
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Uta Codex Made by Uta (WOMAN) |
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Shows the important role women could play in religious life and as patrons of the arts during the early middle ages |
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Rainer of Huy |
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Saint Alexander, Stavelot Abbey |
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combination of an idealized classical head with Byzantine-style enamels underscores the stylistic diversity of Romanesque art |
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Bayeux Tapestry, Bayeux Cathedral, France Funeral procession to Westminster Abbey (top) and Battle of Hastings (bottom) |
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Master Hugo, the Bury Bible, Saint Edmunds England |
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- (top) moses and aaron proclaiming the law of the israelites- (bottom) moses pointing out the clean and unclean beasts |
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Eadwine the Scribe, Eadwine Psalter
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- Rare portrayal of the artists in romanesque times |
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Virgin and the Child and angels, Chartres |
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- Survived the fire-Grid of iron bands=early gothic |
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God as Architect of the World, Paris |
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- This artist portrayed God as an industrious architectcreating the universe using the same tools as Gothic builders. |
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Villard De Honnecourt, Paris |
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-sought to demonstrate that simple geometric shapesare the basis of both natural forms and buildings. |
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Blanche of Castille, Louis IX, Paris -this royal bookdepicts Saint Louis,his mother Blancheof Castile, andtwo monks. |
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Psalter of Saint Louis |
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- The colors emulate thoseof stained glass.- Abraham and the three angels- (left) Abraham greets the angels- (right) Abraham entertains the angels while his wife Sarah peers at them from a tent. |
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Nicholas of Verdun, sacrifice of Isaac |
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Nicholas of Verdun, Shrine of the Three Kings, Cologne Cathedral - |
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contains relics of the three magi- Gave Colognes Archbishops the right to crow German Kings |
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Giovanni Pisano, Annucation, Nativity,and the adoration of the Shepards. San't Andrea, Italy |
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Nicola Pisano, Annunciation, Nativity, the adoration of the shepards. San't Andrea, Italy |
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Francesco or Buonamico, Triumph of Death |
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-fresco captures the horrors of death and forces viewers to confront their mortality- Left shows the inevitability of death while right shows ignoring reality . |
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Jan Van Eyck, Ghent Altar Piece open. |
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- salvation from the Original Sin of Adam and Eve and humanities redemption through christ.- To the right of god= mary- Left of God= Saint John- Shows God's infinite generosity-The altarpiece celebrates thewhole Christian cycle from the Fall to the Redemption, presentingthe Church triumphant in heavenly Jerusalem. |