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27 Cards in this Set
- Front
- Back
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A matter of self centered, self regarding satisfaction |
Leavis |
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A manifestation of his love for himself |
Leavis |
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Desdemona is killed by all those who see her humiliated and beaten in public and fail to intervene |
Vanita |
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Woman and blacks exists as other |
Loomba |
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Fights for her life with every means available to her |
Vanita |
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The generals black skin proclaims him as an outsider in venice |
Mangam |
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The old stereotype is always there, lurking |
Mangam |
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Romantic love is an obsession, you lose your sense of self...distort reality |
Fisher |
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The two main events of the play are a marriage and a murder |
Cox |
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Desdemona dies claiming black is white |
Cox |
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Wrought a civil war on his heart |
Coleridge |
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Noble nature was wrought on by an accomplished and artful villian |
Coleridge |
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Jealousy makes us all mature novelists |
Seghal |
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Jealousy trains us to look with intensity not accuracy |
Seghal |
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Jealousy is exhausting, it's a hungry emotion and it must be satisfied |
Seghal |
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Desdemona is the love of a possession. She is a prize, a spoil of war |
Phillips |
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Feels constantly threatened and profoundly insecure |
Phillips |
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He was neither right nor reasonable and Desdemona ended up dead |
Billingsley |
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Nearly every scene in the play refers to or depends on characters seeing and knowing |
Cox |
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Death was preferred to dishonour |
Cox |
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It is stupidity and nothing worse |
Bradley |
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She dies in service of the truth |
Simpson |
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She falls in love for no better reason than that he has told her a braggart story |
Adams |
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Iago is motivated by strong latent homosexuality |
Hyman |
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Motiveless malignancy |
Coleridge |
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Desire for power and control |
Scott |
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Evidence for Iago's hatred for love are everywhere |
Scott |
