Greek Pottery Final

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Red figure amphora 530-520bc Andokides painter

creator of red figure painting

hercules fighting apollo at the oracle of Delphi

texture and detail; known for smooth lines

possible student of Ezekias

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Kylix, 520BC, Epiktetos

primarily painted cups;single figure in center

liked to mess with identies; satyrs pretending to be warriors; bilingual cup-black figure inside red outside

simple line

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bilingual amphora, 525BC Andokides painter and Lysippides painter

red one side black the other

red figure looks more greek

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Kylix, 515-510BC, Oltos

decorates exterior and interior;inside is warrior with shield taking up entire tondo

dedicated to Castor and Pollux-shows gathering of the gods

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bilingual amphora, 525BC Andkides and Lysippides

copy of Ezekias' Ajax and Achilles game image

long hands and fingers; detailed clothing-more natural

might be student of Ezekias

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Kylix, 510BC, Oltos

loves using large palmettes

usually worked with 1 figure

Nereid depicted(sea nymph)

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Psychter, 515BC, Oltos

combination of amphora and phynter; used to chill wine (like a giant ice cube)

warriors riding dolphins say "on the dolphins"

looks like they're riding them when in liquid

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plate, 515BC, Epiktetos

young boy playing double flute, older man picking up vessel

very simple line, but depth in overlapping

could represent pederastic relationship

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Attic hydra, 510BC, Phintias

big vases/composition;potter and painter

shows music lesson-man is named Euthymides

woman playing kottabos is saying "this is for you, Euthymides"

good understanding of form and how cloth lays on the body

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Red figure amphora 510-500BC, Phintias

Tityos kidnapping Leto; apollo and artemis trying to save her

very stagnant for a hectic scene

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attic red figure amphora, 510BC, Phintias

Hercules and apollo at delphi; focus' on large musculature also puts eyelashes on

hair is raised off the surface of the vase (in relief)

indicates fingernails

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red figure stamnos, 515BC, Smikros

symposium scene; "I am Smikros" next to lounging banqueter

noted for intense stares and hand gestures

heavy detail on couches and clothes

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Sarpedon krater, 500BC, Euphronios

shows Sarpedon, son of Zeus, dead on battlefield; Hypnos and Thanatos depicted with Hermes-psychopomp

dynamic posing blood and wound extreme detail on wings

palmettes separate the images

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Antaios krater, 510BC Euphronios

shows hercules fighting antaios

very detailed muscles;tries to emphasize muscle movement

tried to show antaios is a giant and "different" i.e. the hair/face-is also gasping for air-shows teeth

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Volute krater, 510-500BC, Euphronios

hercules fighting amazons; variation in amazons clothing, large figures

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psychter, 510BC, Euphronios

Hetaira depicted, one is drinking facing forward

the left is named Smikra and speaks, "to you, I dedicate this drop Legros"

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revelers vase, 510-500BC Euthymides

likes working with 3 figure compositions

intersted in human form and how it moves; komast depicted as well as Hektor putting on armor with Hecube and Priam more realism in Piram's baldness; "As never Euphronios"

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Red figure amphora 510-500BC, euthymides

abduction of korone by theseus

3 figures; use of movement, but very stagmant in action- interaction between two sides of the vase

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Loutrophoros, 480BC, Kleophrades painter

believed to be a student of euthymides

3 figure compositions

funerary elongated amphora;more accurate idea of drapery, prothesis at belly

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Ilioupersis hydria, 480BC, Kleophrades painter

sac of troy, Neoptolehos about to beat Priam

Ajax the lesser kidnapping Kassandra

believed to be inspired by a mural

Aeneas, Anchises, and Ascanius fleeing

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pointed amphora, 490BC, Kleophrades painter

theosos represented showing overlapping

shifting of the pupil to give a more profile eye, also showing open mouth

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Achilles hydria, 480BC, Kleophrades painter

achilles seated in the middle; Odysseus trying to persuade him to come back to battle;more humanistic

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Hermes and Satyrs amphora, 490BC, Berlin painter

likes working with amphora, focus' on single figure or layered figures

vase works together as one because of body language

delicate features; elongated figures, detailed hair

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Europa bell krater, 500-490BC, Berlin painter

Europa running with the bull that would take her to the islande of krete, rape her and leave her

mother of Minos; woman on other side chasing her

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Ganymede bell krater, 500-490BC, Berlin painter

cup bearer to the gods, holds a cock sign of courtship

zeus reaching for him;color on his hair shows ganymede was blonde

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komast kylix, 490BC, Brygos painter

master of movement; shows body hair; patterns on clothes, often works in duos (usually romantic)

inside shows man throwing up, a consequence the drinker could experience as well

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Ilioupersis kylix, 490-480BC, Brygos painter

shows Neotalphos going to beat Priam with his dead grandson Stanayx

inside is the tent of Achilles, Phoinix talking to Briseis

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school kylix, 480BC, Douris

shows young man learning for elders, noted for hook collarbone

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jason kylix, 480-470BC, Douris

jason being disgorged by the dragon; athena watching; golden fleece on tree behind

an alternate version of the story of jason

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trojan war kylix, 490BC, Douris

Eos holding the body of Memnon, her tears make zeus give her son immortality

shows more emotion than anything

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satyr psychter, 480BC, Douris

satyrs depicted in various stages of drunkeness

wanting people to keep in mind their behavior

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Acteon and pan bell krater, 480-470BC, pan painter

shows death of Acteon by Athena, pan chasing a shepard; vase represents athens defeat of the persians (they were overprideful)

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Herakles pelike, 470BC, pan painter

used to hold liquids

herakles' visit to egypt where they try to sacrifice him so he kills them

shows contrast in nudity and their faces; shows difference in genitals

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hunter lekythos, 470BC, pan painter

pan chasing a boy; precision of line and form

hunter is looking right, body moving left

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Penthesilea kylix, 455BC, penthesilea painter

uses entire tondo of cup, achilles in the midst of stabbing penthesilea; jewelry and word are gilded and in relief

likes making huge figures-looked to wall paintings for inspiration

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zeus and ganymede kylix, 450BC, penthesilea painter

zeus forcfully grabbing ganymede who holds a rooster

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argonauts calyx krater 450BC, Niobid painter

elongated heavy handed subjects, not steady hand-focus' on form resulting in cold figures

inspired by statues and murals

created environment likes greeks vs. "others"

three quarter view; apollo and athena killing Niobe's children

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Kaineus stamnos 440BC, Polygnotos

shows Kaineus being beat into the ground

centaurs more accurately fused, shows more depth and understanding of human form than previous depictions of this scene

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Achilles amphora, 440BC, Achilles painter

worked in red/white ground

trained w/berlin painter likes single figures

excellent draftsman-eye actually in profile

adds muscle definition-looked at the spear bearer

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Hermes lekythos, 440-430BC Phiale painter

given as gifts at tombs;hermes guiding the deceased from her tomb, gives him more human qualities-variety of color

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Departure lekythos, 440BC, Achilles painter

husband is taking his helmet, leaving for war and will not likely return

quiet and emotional

good foreshortening in the woman as well as anatomy uses lighter brown and smaller brushes to show muscles

painted bodies then clothes

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Apolian pelike 350BC, Painter of the siren citharist

red figure with lots of overpaint; very floral

representation of Eros-very androgynous has jewelry; more painterly style

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apulian volute krater 325BC, Baltimore painter

dionyphonus scene at neck

woman being decorated at foot

funerary scene at belly;naiskos depicted with deceased inside, figures giving offerings surrounding him

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Apulian bell krater 350BC

scenes from theatre

gives and idea of what production would look like

exaggerated features represent masks

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Darius volute krater 325BC, Darius painter

last of the great apulian painters

deals w/contemporary events

lots of details in clothes, central figure is Darius-persian king

below a greek counting money with persians giving tribute

above is gods athena presenting the representation of greece to zeus (Hellas)

representation of asia on the end-