Owing to his lighter complexion, the lineage of domestic servitude inherited from his parents, and perhaps most importantly, the affections of his masters, much of Manzano’s childhood was spent in relative exclusion from the daily turmoil faced by other slaves in Cuba. Manzano was by no means a free person, not until he was nearly forty years old, but he did enjoy certain preferential treatment. He was able attend the theater and social outings, he ate well and wore fine clothes, learned to draw and how to write. However, these privileges cut both ways, and with the death of his first mistress and his entry in to adolescence, the “true story” of his life “began to unleash itself [upon him] with all its fury.” From the age of twelve, the relative freedom that he enjoyed in his youth began to deteriorate and stood in an unbearable contrast to the increasingly hostile treatment he received throughout his teenage …show more content…
In between two stints with the Marchioness de Prado Ameno, he spent three years with benevolent masters in Havana that were kind and treated him “not as a slave, but as a son” although they did discouraged his love of letters for it did not “correspond to his class.” With the Marchioness, he was her “lap dog,” shown affection when acting unison with her desires and gravely punished for even the slightest infractions. “Childish mischief” landed him in solitary confinement. For sharing poetry with fellow slaves he was beaten. Accused of stealing food – a charge from which he was later, silently, exonerated – Manzano came face to face with one of slavery’s deadliest establishments, the sugar mill. After nine nights of being tied and whipped for a crime he did not commit, he spent some time working in the mill until narrowly escaping a deadly accident and being sent home. By considering these details of Manzano’s autobiography, the actuality of violence and dehumanization in Latin American slavery becomes