Vanishing Point In Masaccio's The Expulsion From Paradise

Improved Essays
Young Early Renaissance artist Masaccio painted The Expulsion from Paradise he painted it on the wall of the Brancacci Chapel in the church of Santa Maria del Carmine, in Florence, Italy. The Expulsion from Paradise is a fresco, that uses perspective and a vanishing point to grab the viewers’ attention. These features offer us with a way of understanding the beautiful work of art that it is. This painting was one of the most remarkable paintings from all of the ones we studied this semester. I will explain why Masaccio’s use of fresco painting technique, perspective and vanishing point made the painting so thought-provoking.
The Expulsion from Paradise is a fresco which is a painting made on plaster in this case a wall. In true fresco, water
…show more content…
The use of the vanishing point pushes all of our attention to their bodies. Adam is hunched over with his hands covering his face while he steps out from the gate you can tell that he is ashamed and in distress. His muscles are stretched and his body language seems abnormal. Eve also is illustrated in agony her face expression says it all. She’s walking with her arms covering her genitals in shame and crying out in pain.
Masaccio made the perspective of the image focus mainly on the important factors of the painting which were Adam, Eve, the angel and the gate. The background seems to be flat which I think was good because it gave the rest of the characters in the image more focus. Masaccio's characters are not defined by a clear outline of the figures but instead with different shades and some parts of shaping and light. Masaccio really focused on the bodies and the way the muscles and face expressions indeed illustrated how Adam and Eve were feeling.
In conclusion, The Expulsion of Paradise is truly a beautiful and amazing painting. I have detailed the different ways Masaccio used fresco, vanishing-point, and perspective to make this painting so remarkable. Hopefully one day I can see this painting in person and also a few others that caught my attention this

Related Documents

  • Improved Essays

    On the contrary, Masolino’s Adam and Eve don’t really have any expression on their faces. Adam seems little anxious, but it is really hard to tell what’s the context between the expression and the story. The use of color and symbolism is apparent in both frescoes. In Masaccio's piece, Adam and Eve's banishment from the garden mirrors…

    • 302 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Fontana’s Christ with Symbols of the Passion can also be compared to Rosso Fiorentino’s Dead Christ with Angels. Both paintings came out of the Mannerist period during 1525 and 1600. Dead Christ with Angels is a prime example of this form of artistic expansion. Both artworks can be characterized by strong, unusual color combinations, crowded or ambiguous space, warm central lighting and elongated or often twisting figures. The comparison between the two artworks is almost identical.…

    • 238 Words
    • 1 Pages
    Improved Essays
  • Superior Essays

    The style of technique used of this painting was oil on canvas. This painting, with its details, style, and story truly emphasizes the aspects of spiritual life. This painting creates the subject of the Assumption, Virgin Mary leaving the conflicting physical world and being taken into heaven. The first thing you see standing and looking at this painting are two divided parts, the group of apostles on earth and angels in heaven.…

    • 831 Words
    • 4 Pages
    Superior Essays
  • Decent Essays

    The Sistine Chapel ceiling is covered with beautiful artworks; many of them becoming iconic. The Creation of Adam has become a widely known masterpiece by Michelangelo. The image of the near-touching hands of God and Adam has been reproduced in countless imitations and admired by many. Many wonder the hidden meanings in the painting and it has been subject to controversy. The figures and shapes behind God appears to be in the shape of the human brain.…

    • 287 Words
    • 2 Pages
    Decent Essays
  • Improved Essays

    Giotto, a younger member of the artist guild, was a student of Cimabue. Both Giotto and Cimabue painted Virgin and Child Enthroned altarpieces created from wood panels of tempera and gold. Viewing their renditions of the Virgin and Child Enthroned, Cimabue’s and Giotto’s distinct styles are apparent. By comparing and contrasting Cimabue’s and Giotto’s style of work, the viewer can see the shift from Byzantine to classical style of art.…

    • 873 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The religious scenes became more realistic and proportioned. The anatomy of the people within the paintings and sculptures of Italian Renaissance work appear scientifically correct and the scenes of the paintings have depth. Italian Renaissance artists used linear or one-point perspective to render proportioned work. An example is Holy Trinity and Tribute Money by Masaccio. In Masaccio’s work, there are vanishing points, orthogonals, a horizon lines, and foreshortening and atmosphere perspective used to give the viewer a realistic idea of the…

    • 803 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The Crucified Christ (1503-04) is a classical example of Italian Renaissance art. The piece illustrates, extremely effectively the Italian desire to make everything in which they paint beautiful, not matter how horrific the subject may be. Christ in this depiction, although, dead does not appear to have progressed into rigor mortis of any degree, Christ also appears to look peace in death in the Raphael painting, unlike in the Grunewald where distress is on Christ’s face is blatant. The way in which Christ is bleeding in Raphael’s piece is depicted with a degree of beauty, the bleeding is not messy, any blood coming from Christ, is delicately dripping into chalices held by angels on either side of Christ. This is a complete contrast with that of Grunewald’s depiction of the crucifixion, where blood is freely flowing down both his arms and legs.…

    • 1334 Words
    • 6 Pages
    Improved Essays
  • Great Essays

    Duccio And Giotto Analysis

    • 2037 Words
    • 9 Pages

    This focus allows exactitude in Giotto’s realism. The crowds of this fresco are much smaller than the crowds seen in Duccio’s Crucifixion on the Maestá. Mary faints in a realistic way into the hands of St. John and a holy woman . Dividing the fate of Christ’s cloak again suggests the sin of obsession over worldly goods and wealth, relating to the patronage and function of this chapel. Giotto’s realistic technique is seen in the folds of the cloak, heavy as it hangs down.…

    • 2037 Words
    • 9 Pages
    Great Essays
  • Great Essays

    The paintings exercise an intense and covert power over their audiences in a manner that evokes different feelings and perceptions. As such, it is not uncommon to find admirers and critics alike. The paintings are universally recognized and appreciated while at the same time, they continue to attract endless criticism and scrutiny. Caravaggio and da Vinci’s paintings exhibit salient gestures and expressive faces. The paintings are symbolic of the two spiritual Biblical moments that took place during Jesus’ life on earth.…

    • 1478 Words
    • 6 Pages
    Great Essays
  • Improved Essays

    In order to identify and mimic the creative prospects of the work that elicit detail, I had to admire certain elements and suspect their relevance to the piece, where only then I could interpret them and advance my own creation from the techniques that I observed. While we study many beautiful pieces of art throughout the entirety of this semester, between the originality, economic struggles, and over complications that are exhibited within this work, I believe this work is the most advanced of which we saw, considering the region from whence it…

    • 1377 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    The transformations in communication can be seen through Renaissance artwork, and even Early Italian artwork. Specifically speaking, in the bronze gilt panel “The Story of Jacob and Esau,” created by Lorenzo Ghiberti in 1435, the artist uses high and low relief techniques to tell an entire biblical story in one panel. Through his use of space—creating a frontal, middle, and background—Ghiberti creates three separate scenes in the painting, which was a new technique used to communicate messages, or in this case a story, to viewers. In addition, Ghiberti uses a vanishing point and creates a center of the artwork, implementing mathematical techniques to achieve symmetry and beauty in his panel. Furthermore, since this panel was part of “The Gates of Paradise,” “the east doors of the Baptistery of San Giovanni [in] Florence,” everyday citizens of Florence encountered these panels when they went to church.…

    • 791 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Christ is painted in the foreground surround by apostles and citizens painted in the technique called fresco. Another comparison of the two pieces are the way the viewer sees the figures. Giotto places his main subjects in the foreground, which brings attention forward compared to the Arrival in Bethlehem, where all the figures are scaled down so the landscape is the main focus. Another example of different exemplification of Christ Entering Jerusalem is Duccio’s tempera on panel. Duccio painted Christ and the apostles to the left and scaled the citizens up and around the bend of the road to the right of the painting.…

    • 865 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Since the Renaissance period, many things have changed, from the way we act and the way we dress, but one thing that has not changed is our appreciation for art. Art, then and now, captures the worries and problems that are going on in the World around us. Michelangelo’s “The Last Judgement” (1536-1541), has many scenes within the painting that show the people’s facial expressions, mostly of worry, for whether or not they will be sent to Heaven or Hell. Michelangelo (1475-1564) just may as well be one of the greatest Italian artists of the Renaissance period, creating some of the most creative and inspiring artwork during his lifetime. Looking at all of his paintings and sculptures, one can definitely tell that his artwork is very detailed…

    • 902 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    What is perspective? How is it evidenced through Renaissance Art? Let’s answer these questions, one at a time, as Jansen and Berger present much to consider. Berger notes that “It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled (Berger, 7).”…

    • 1223 Words
    • 5 Pages
    Improved Essays
  • Great Essays

    To match the holiness of these important religious figures, the background seems to act to the illusion of a beautiful landscape, a pastoral scene of “Eden” to suit. The lines are more sharper in comparison to Da Vinci’s atmospheric painting, and so a more crisp centerfold focus…

    • 1276 Words
    • 6 Pages
    Great Essays