Her writing carries a unique style, one that ‘kidnaps’ the reader into her work. When taking on a task as daunting as expressing the sentiment of black america's struggle, it is a way in which she can truly connect with her audience. In the foreword of Beloved Morrison says “ I was trying to make the Slave experience intimate, I hoped the sense of things being both under control and out of control would be persuasive thought: That the order and quietude of everyday life would be violently disrupted by the chaos of the needy dead” (Morrison, Beloved) The structure of her words leaves no room for questioning, a constant continuation of emotional statements. he is able to capture the reader's attention with her word choice and syntax. Her choice of the phrase “both in control and out of control” is one that is uneasy, by juxtaposing the two opposites, is as convincing as she hoped. There is inherently something about a contradictory statement that feels uncomfortable, which is what she hopes to provoke in the reader as they attempt to understand another person’s horror. She then continues with her hope of disrupting the readers with the “Chaos of the needy dead”, a particularly striking choice of words. These words only further the discomfort of the reader, pushing them into another experience prior to even understanding her story. The words are not to
Her writing carries a unique style, one that ‘kidnaps’ the reader into her work. When taking on a task as daunting as expressing the sentiment of black america's struggle, it is a way in which she can truly connect with her audience. In the foreword of Beloved Morrison says “ I was trying to make the Slave experience intimate, I hoped the sense of things being both under control and out of control would be persuasive thought: That the order and quietude of everyday life would be violently disrupted by the chaos of the needy dead” (Morrison, Beloved) The structure of her words leaves no room for questioning, a constant continuation of emotional statements. he is able to capture the reader's attention with her word choice and syntax. Her choice of the phrase “both in control and out of control” is one that is uneasy, by juxtaposing the two opposites, is as convincing as she hoped. There is inherently something about a contradictory statement that feels uncomfortable, which is what she hopes to provoke in the reader as they attempt to understand another person’s horror. She then continues with her hope of disrupting the readers with the “Chaos of the needy dead”, a particularly striking choice of words. These words only further the discomfort of the reader, pushing them into another experience prior to even understanding her story. The words are not to