95), ‘Dracula’ and ‘Lady Audley’s Secret’ similarly represented the fear that modernity may fail because of the past (Badowska 2009, p. 158). That is, that the past continually resurrects, interferes with the present and therefore doesn’t allow space for modernity to prevail. This is explicitly represented in Braddon’s novel, when Lady Audley’s hidden past continually threatens to overthrow her future despite all her attempts to stop it. While in ‘Dracula’, Stoker’s heroic cast is mainly made up of upper class occupations that are evidence of the modern approach to medicine and justice (Botting 1996, p. 96), but as the group comes across a feared supernatural being from the past, their modern occupations can’t aid
95), ‘Dracula’ and ‘Lady Audley’s Secret’ similarly represented the fear that modernity may fail because of the past (Badowska 2009, p. 158). That is, that the past continually resurrects, interferes with the present and therefore doesn’t allow space for modernity to prevail. This is explicitly represented in Braddon’s novel, when Lady Audley’s hidden past continually threatens to overthrow her future despite all her attempts to stop it. While in ‘Dracula’, Stoker’s heroic cast is mainly made up of upper class occupations that are evidence of the modern approach to medicine and justice (Botting 1996, p. 96), but as the group comes across a feared supernatural being from the past, their modern occupations can’t aid