In doing so she defines the purpose of the article by using a call to action not only for the Turnbull government but also for the audience to support her position on the issue. Therefore, the intended audience for this piece are members of the communities affected by graffiti. With a use different tones varying from disgusted to disappointed, she is able to effectively present her argument. Burke describes in the article how the previous strategies that have been implemented to solve the problem of graffiti were ineffective. She utilises colourful language, using words such as “wanton” and “rubbish”, to express her disgust with the ongoing issue.…
Leonie states that this vandalism was affected by many businesses, homes and public structures. She was part of this strategy that the government and councils tried but this failed as it did not stop these criminals. As she says “artistic” she does not think that graffiti is artistic at all, she says ‘we all know the difference between pure graffiti art and vandalism’ this is true in many ways as some people mistaken graffiti for art when really its breaking the law. This persuades us that what these people are doing even to this day is a crime they are committing and everyone needs to work together to make it…
In Marcia Brown’s article “Maine’s First Graffiti Artist,” Mike Rich was inspired by the beauty, creativity, and anonymity of graffiti. He has dedicated his life to this art form to allow people to see the beauty behind graffiti by using it for “positive messaging.” When Mike was 11, he was creating traditional art, but started painting graffiti to get away from the simplistic traditional art. Mike’s first most recognized mural was done with a team of 7 other artists that came together to paint a 1,500 square foot mural of the word “Portland” in all capital letters on the back wall of an asylum nightclub. This adventure has become the “brainchild” for Mike.…
Legitimate murals can encourage artists to use their talents for a more lawful and social suitable activity. Halsey and Young (2002) suggest “councils [can] run workshops to improve the techniques of those interested in legal graffiti” (p. 179). Halsey and Young (2002) provide the example of Parramatta and Warringah Councils, which provide “classes… taught by former writers of illegal graffiti; [which] include [the] History of Graffiti Art, Lettering Design and Layout, Spraycan and Nozzle Techniques and Character Development” (p. 179). Classes such as these can be introduced into the Caringbah…
Public art is all around us, and when you take a moment to look around you’ll find some amazing pieces. While walking around downtown there is always one mural that catches my eye every time. Located on the back side of the Burton Cummings Theatre (formerly known as the Walker Theatre, 364 Smith Street.) is an untitled piece by Winston Leathers (1932-2004). Maybe it’s the vibrant colours, or the fact that I spent just over 14 hours waiting outside the theatre two years ago waiting to see my favourite band perform. Either way, I can’t help but do a double take when I happen to walk by.…
The ‘graffiti wars’ say about social relations of inequality and power in cities is that power of the city is in the hands of the government and those higher in power. They are the one who want to have control over what rules public space and what does not. Officials have the power to put up private corporate advertising but choose to label public graffiti as disorderly or criminal. Graffiti challenges this social order and it is those from below with lower power and faced with multiple inequalities such as race, age, social class, such as impoverished black youth and the like, that are taking back their cities and expressing urban hip hop culture, just as seen by black and hispanic urban youth in the film Style Wars (quote). It is a tool to…
In her 2006 article “The Trouble with (the Term) Art”, Carolyn Dean argues that the using the word “art” for both past visual expressions (particularly nonwestern) does not quite capture the true definition of what these pieces are. This argument is valid, to consider these works as mere entertainment erases a culture’s true history and identity. Dean has a very strong argument for the analysis and retirement of the term “art”, however the ideas surrounding the concept of “art” explain the larger issue as a whole. Carolyn Dean argues that pinning the recent idea of “art” on nonwestern works does not inform one about the culture, but rather condenses that culture into easily defined novelties.…
In most times, when a person is asked about the development of one’s character, one would respond by relating their characters with life experiences. Character develops through the entire life, and each situation comes with a lesson. Family, friends and peers, among others, are external forces that shape a person’s character. However, according to Malcolm Gladwell in his essay, the streets we walk in have as much effect on a person’s character as well. Gladwell reviews aspects of people’s behavior development, how and what shapes their character.…
The ensuing paraphrase will support this claim. Craven maintains that the situation became intriguing with several incidents highlighting the image and involving the artist, which had linked the National Portrait Gallery in Washington, DC to street graffiti in working-class barrios all around the US, as well as to mass-media publications like Time and Rolling Stone (Craven 644). This could not be further from the truth, as this writer can recall during that time period one could not help but notice the posters hanging from people windows, at bus stops, among other examples. This also speaks to how cultural text/forms travel. In Caroline Levine's article Forms: Whole, Rhythm, Hierarchy, Network she maintains "First, a range of recent literary theorist, including Wai-Chee Dimock, Frances Ferguson, and Franco Moretti, have noted that certain literary forms-epics, free from discourse, rhythm, plot-can survive across cultures and time periods, sometimes enduring through vast distances of time and space" (4-5).…
Outside artist, we never discuss in class, but I think this topic will be interesting to talk about as a group. What is the Definition of an Outside artist? An Outside artist is the people that suffer the mental illness and doesn't have long to live, that interested in art, but the problem with them is they lose interest quickly after one painting, but the artwork they create is a high standard. Some the audiences might not understand what the painting is about, but all of the outside artist's painting has a critical meaning inside. What interesting about Outside artist is nearly most of them were self-taught and didn't go to school because of their illness.…
Art can serve many purposes in life. It can be a hobby or form of therapy and self-expression for the artist themselves. It can be used simply as decoration. Or it can be used to entertain and captivate and audience. However, more importantly, art can be used to convey a message that words cannot.…
Most people that run our cities don’t like graffiti because it is like a tourist attraction but it doesn’t make them any money. They only think about themselves. So when people dislike and criticize my art I just keep on making more and more, like I did in New York, where I made a new piece every day for a month. The people who run our cities might be making the world a better place but I am trying to make it a better looking place.…
Graffiti: To be Art, or not to be? Whenever you take a stroll through downtown, anywhere, old buildings and alleyways are stricken with spray painted works. The Merriam-Webster dictionary states that art is “something that is created with imagination and skill and that is beautiful or that expresses important ideas or feelings”. The painted works draw your attention and can create feelings of peace, danger, wistfulness, merriment, sadness, or even anger.…
As it clearly seen, graffiti artist purpose is to make the environment more livable in terms of beauty. In short, if everybody wants to live in beautiful surroundings, they ought to find graffiti as art. What is more, just like art, graffiti moves people to positive emotions so it is definitely not vandalism. A large number of people feel positive emotions while they are looking at pictures. This also happens when people look at graffities.…
Graffiti was once labeled as street art which was frequently a prominent problem in urban cities; defacing or “tagging” public and private property was against the law. As time as evolved, so has the street art culture. Today, street art is one of most sought after and creative outlets for local artists. The culture around street art can be interesting in the fact that artists build their names and reputation with one piece of work at a time; sometimes when it starts to take over the city it gets the attention it has been wanting. Street art is now very innovative featuring many different art styles and often makes a commentary on a social issue and if it does not, then it was created to help change the city.…