During the Baroque period dynamics were mainly terraced dynamics, meaning they were usually sudden changes in the dynamic levels. However, during the classical period there was a much wider range of dynamics. In addition, composers were much more interested in gradual changes in dynamics, such as crescendo (slowly getting louder) and diminuendo (slowly getting quitter), rather than sudden changes. A perfect example of classical dynamics was a single dynamic passage transforming into a larger structured piece with a wonderful transition, especially if held for specific period of time. In Beethoven’s Finale of the fifth symphony at about the 6:08 minute mark where an interesting transition occurs from a fast pace repeated patterns turns out to be a perfect transition, also referred to as a bridge. This links the fast pace section with the next slow pace section of the piece. This is an excellent example of how dynamics are used in a musical masterpieces were patterns of different volumes are used to emphasis a transition. Another interesting characteristic in classical music is texture. During the baroque era, the texture was solely based upon polyphonic textures, which are textures with multiple parts are two or more melody lines playing at the same time. However, during classical era homophonic texture, which are textures with one main melody with other parts. This means that basically its different sounds but have the same rhythmic ideas. Although there are many interesting aspects regarding classical music, the most interesting is how the classical symphony is structured. In a symphony orchestra there are usually four movements. The first movement is usually fast and is referred to as sonata form, which is simple and understanding. It provides the listener the opportunity to get a taste of what’s
During the Baroque period dynamics were mainly terraced dynamics, meaning they were usually sudden changes in the dynamic levels. However, during the classical period there was a much wider range of dynamics. In addition, composers were much more interested in gradual changes in dynamics, such as crescendo (slowly getting louder) and diminuendo (slowly getting quitter), rather than sudden changes. A perfect example of classical dynamics was a single dynamic passage transforming into a larger structured piece with a wonderful transition, especially if held for specific period of time. In Beethoven’s Finale of the fifth symphony at about the 6:08 minute mark where an interesting transition occurs from a fast pace repeated patterns turns out to be a perfect transition, also referred to as a bridge. This links the fast pace section with the next slow pace section of the piece. This is an excellent example of how dynamics are used in a musical masterpieces were patterns of different volumes are used to emphasis a transition. Another interesting characteristic in classical music is texture. During the baroque era, the texture was solely based upon polyphonic textures, which are textures with multiple parts are two or more melody lines playing at the same time. However, during classical era homophonic texture, which are textures with one main melody with other parts. This means that basically its different sounds but have the same rhythmic ideas. Although there are many interesting aspects regarding classical music, the most interesting is how the classical symphony is structured. In a symphony orchestra there are usually four movements. The first movement is usually fast and is referred to as sonata form, which is simple and understanding. It provides the listener the opportunity to get a taste of what’s