Dimmesdale dies immediately after his confession due to the deterioration of his health as a result of his self-punishments. Likewise, Briony publishes her novel while dying from vascular dementia. It is unfortunate that even those that are successful at repressing their guilt cannot enjoy it for long. In all four texts, the characters’ lives are strongly influenced by their guilt, and in three of the texts (Macbeth, Atonement, The Scarlet Letter) they are gripped by it basically until their death. The director and authors of all four texts seem to portray the message that guilt is a natural mechanism that ensures that we are punished for acting against our morals. Hence they warn us of the consequences one could have when we ignore our conscience; it is often difficult to suppress one’s guilt and in the extreme cases of guilt portrayed in the four texts, guilt can haunt the individuals for an extended time. The four characters and their dark but satisfactory endings allows the readers and viewers to experience catharsis; we feel cleansed emotionally. Like The Tell-Tale Heart, a limitation in Macbeth is the lack of Lady Macbeth’s character development around her guilt. The ever reducing appearance of Lady Macbeth in the play means that except for the short sleepwalking passage, the readers are left guessing about the influence of
Dimmesdale dies immediately after his confession due to the deterioration of his health as a result of his self-punishments. Likewise, Briony publishes her novel while dying from vascular dementia. It is unfortunate that even those that are successful at repressing their guilt cannot enjoy it for long. In all four texts, the characters’ lives are strongly influenced by their guilt, and in three of the texts (Macbeth, Atonement, The Scarlet Letter) they are gripped by it basically until their death. The director and authors of all four texts seem to portray the message that guilt is a natural mechanism that ensures that we are punished for acting against our morals. Hence they warn us of the consequences one could have when we ignore our conscience; it is often difficult to suppress one’s guilt and in the extreme cases of guilt portrayed in the four texts, guilt can haunt the individuals for an extended time. The four characters and their dark but satisfactory endings allows the readers and viewers to experience catharsis; we feel cleansed emotionally. Like The Tell-Tale Heart, a limitation in Macbeth is the lack of Lady Macbeth’s character development around her guilt. The ever reducing appearance of Lady Macbeth in the play means that except for the short sleepwalking passage, the readers are left guessing about the influence of