Sallie galloping on a horse is series of photographs done as a photographic experiment, done by Muybridge June 15, 1878. The sequences consist of 24 photographs shot in quick secession that were exposed on a zoopraxiscope. Muybridge constructed the first zoopraxiscope, which presented the “motion picture” for the first time. The photographs are sometimes cited as an early silent film, these photos and other experiments like Muybridge’s were the forerunners of early motion films. Former California Governor Leland Stanford contacted Muybridge to help settle a bet. There was speculation on whether all four hooves of a running horse left the ground at the same time. Stanford believed they did, but the motion was too fast for the human eye to detect. After many trial and error Muybridge eventually proved that the horses do at times have all four hooves off the ground during their running stride. “Muybridge and others in a series of stop-action photographs, images that made forever obsolete the “hobbyhorse” pose-legs stretched forward and backward -long conventional in paintings of running beasts (Anson,
Sallie galloping on a horse is series of photographs done as a photographic experiment, done by Muybridge June 15, 1878. The sequences consist of 24 photographs shot in quick secession that were exposed on a zoopraxiscope. Muybridge constructed the first zoopraxiscope, which presented the “motion picture” for the first time. The photographs are sometimes cited as an early silent film, these photos and other experiments like Muybridge’s were the forerunners of early motion films. Former California Governor Leland Stanford contacted Muybridge to help settle a bet. There was speculation on whether all four hooves of a running horse left the ground at the same time. Stanford believed they did, but the motion was too fast for the human eye to detect. After many trial and error Muybridge eventually proved that the horses do at times have all four hooves off the ground during their running stride. “Muybridge and others in a series of stop-action photographs, images that made forever obsolete the “hobbyhorse” pose-legs stretched forward and backward -long conventional in paintings of running beasts (Anson,