The values that were rooted so deeply to the American spirit had been pushed aside to make way for the new values: wealth, power and social prominence. As stated by Mr. Richard Staton, “Mass production saw prices plummet and profits skyrocket” (Staton SRC). Self-indulgence is a common flaw associated the attainment of substantial amounts of wealth. The lavish parties and extravagant celebrations were a very popular practice during the Roaring Twenties. These measures were usually used to create envy and desire from friends and foes alike. Gatsby’s attempt to woo Daisy by demonstrating his immense wealth by lighting up his monumental house is a testament to how materialistic and superficial the time was, and the people in it. “When I came home to West Egg that night I was afraid for a moment my house was on fire…. Turning a corner, I saw that it was Gatsby’s house, lit from tower to cellar” (Fitzgerald 81). This was a time of immense overcompensation and, for lack of a better word, showing off. To quote the infamous movie Scarface, “Nothing exceeds like excess, you should know that Tony” (Scarface). This was none more apparent than within the pages of The Great
The values that were rooted so deeply to the American spirit had been pushed aside to make way for the new values: wealth, power and social prominence. As stated by Mr. Richard Staton, “Mass production saw prices plummet and profits skyrocket” (Staton SRC). Self-indulgence is a common flaw associated the attainment of substantial amounts of wealth. The lavish parties and extravagant celebrations were a very popular practice during the Roaring Twenties. These measures were usually used to create envy and desire from friends and foes alike. Gatsby’s attempt to woo Daisy by demonstrating his immense wealth by lighting up his monumental house is a testament to how materialistic and superficial the time was, and the people in it. “When I came home to West Egg that night I was afraid for a moment my house was on fire…. Turning a corner, I saw that it was Gatsby’s house, lit from tower to cellar” (Fitzgerald 81). This was a time of immense overcompensation and, for lack of a better word, showing off. To quote the infamous movie Scarface, “Nothing exceeds like excess, you should know that Tony” (Scarface). This was none more apparent than within the pages of The Great