The beginning of the shot mirrors the incident on the transport from earlier, but here, the roles are reversed, as Brody aggressively approaches Vaughn and then grabs him by the arm and drags him to a private area where he closes a curtain. There seems to be a tracking shot used, as the whole time, the two are framed in roughly a close shot. Once there, the camera pans, as Vaughn enters the left side of the frame into the foreground while Brody stays in the center middleground. This is arguably a two-shot, as Brody is still in more of a close up (but it’s hard to tell because he bends down a little) and Vaughn is in a close-up. A few seconds later, Vaughn moves over from the left side of the frame to the right side, while Brody strongly argues for the hiring of
The beginning of the shot mirrors the incident on the transport from earlier, but here, the roles are reversed, as Brody aggressively approaches Vaughn and then grabs him by the arm and drags him to a private area where he closes a curtain. There seems to be a tracking shot used, as the whole time, the two are framed in roughly a close shot. Once there, the camera pans, as Vaughn enters the left side of the frame into the foreground while Brody stays in the center middleground. This is arguably a two-shot, as Brody is still in more of a close up (but it’s hard to tell because he bends down a little) and Vaughn is in a close-up. A few seconds later, Vaughn moves over from the left side of the frame to the right side, while Brody strongly argues for the hiring of