The Clarinet's Sonata During The Baroque Period

Superior Essays
The Clarinet’s development in the Sonata

A Sonata is a composition written for one or two instruments that has three or four large movements that are different from each other in rhythm and mood. The Sonata originates from Latin and Italian which means “to sound”. Throughout the Baroque period the Sonata was for one or two instruments almost always with continuo. After the Baroque period most works designated as sonatas specifically are performed by a solo instrument, a piano, or by a solo instrument accompanied by a piano. The word “sonata” was first used in solo piano music at the end of the seventeenth century. Most first movements of Classical sonatas are in sonata form, and they are usually fast. The second movement commonly provides the contrast of a slower tempo and the last movement in most cases is again fast. Simple ternary form and variation form are among the most common patterns for the slow movement as well as
…show more content…
The clarinet introduces a simple descending theme decorated with turns. The B section is characterized by faster rhythmic and harmonic motion. The piano plays sixteenth notes outlining the harmonies while the clarinet continues playing a slurred melody. The clarinet gets a chance to play the sixteenth notes that the piano had before the modulation to E major.

Allegretto grazioso(also in A-flat major, in 3/4 time)
The third movement is also in ternary form. The A section consists of an eight bar melody played by the clarinet, and then traded off to the piano with the clarinet lending supporting lines. The piano takes up a descending line syncopated between the two hands while the clarinet adds a low supporting line confined within the space of a minor third. Another repeated section lets the clarinet play the descending melody. After the repeat, the melody from the A section returns and ends the movement.

Vivace(in F major, alla

Related Documents

  • Improved Essays

    This piece has “characteristics of classic sonata form, and is similar in energy and length to such concert overtures as Shostakovich’s Festival Overture.” As with a typical sonata form, the piece is broken down into five main sections. The first introductory section features the opening horn fanfare and a full ensemble crescendo into the exposition. Starting at measure four, the first theme is articulated with tutti figures thru many different instruments. Immediately following that in measure twelve, we hear the inversion of that melody in the clarinets and alto saxophone. The inversion is then repeated in the upper woodwinds and in the cornet.…

    • 747 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Joe Crabb Concert Report

    • 714 Words
    • 3 Pages

    The name is II Mio bel Foco by Benedetto Marcello (1686-1739). The style of this period was baroque. This song make me feel anguish. The amplitude of the song started in a pianissimo dynamic and increased to forte.…

    • 714 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Bach Cantata No 140

    • 332 Words
    • 2 Pages

    The melody and lyrics use imitation and sequence of technology. The instruments are oboes, English horn, French horn, strings, and basso continuo. The fourth movement is sung by tenors in unison. The tempo is slow. The rhythm is speedy and always repeated and varied.…

    • 332 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    The song is light, uplifting, and overall puts the audience in a calm and happy mood. The flute symbolized the princess and the clarinet symbolized the prince, and as they came together, the two were supposedly dancing. Also using violins, the instrumentalists both plucked the strings and used a bow. Consisting of four movements, the piece had a little pas de deux, male variation, female variation and the coda. The song is for the purpose of a dance between two characters usually, but not limited to, the starring male and female lead roles.…

    • 465 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    A much shriller, E flat clarinet replaces the B flat and this version of the leitmotif includes all of the original elements from the first movement (the rising arpeggio, a fall, another rising arpeggio and another fall) but the…

    • 1574 Words
    • 7 Pages
    Improved Essays
  • Improved Essays

    The concert opened with the Tro for Clarinet, and Piano. This piece began quietly. As the string instrument plucked in unison, the clarinet instruments entered with a slow melody. The mood became more dramatic as it progressed. The pace became faster and the texture more intense with fugue-like entrances.…

    • 508 Words
    • 3 Pages
    Improved Essays
  • Superior Essays

    Jack And Clara Analysis

    • 1211 Words
    • 5 Pages

    Her instrument raises with the director’s wand and she rests her reed against her bottom lip, waiting, excitement taking over. Her hands gently embrace the wooden shell, and her fingertips kiss the silver keys as the first notes drip from the bell of the clarinet like honey off of a spoon. Each note connects to the next, having a solid, smooth melody which makes Clara sway in her seat, enjoying every moment. Every staccato and crescendo is portrayed beautifully through her tone, forming to each individual piece she plays to let listeners know the movements meaning.…

    • 1211 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    It was in a minor mode and was in triple meter. The piece is conjunct and starts out with a twinkling bell sound. The clarinets come in with monophonic texture and piano dynamic. It is calm, and alternates between monophonic texture and homophony with the flutes and piccolo playing a high-pitched melody over the percussion. This piece has a very tonal harmony so it flows along and has no tension.…

    • 618 Words
    • 3 Pages
    Improved Essays
  • Superior Essays

    The courante is an example of the dance that could have served equally well as a prelude or a sonata movement. Three times the treble makes a conspicuous climb to d: the first two times it is part of a dissonant chord and only the third time is consonant, when the two hands move in contrary motion to the outer limits of Bach’s keyboard compass at the close. The sarabande is of the trio type with numerous appoggiaturas,…

    • 1065 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    Elvira Madigan

    • 736 Words
    • 3 Pages

    As the score progresses, the flute, oboes, bassoons and horns play their part conveying the song a consonance feel. The ensemble is not complete without the piano to play the melody and solo in this enriching…

    • 736 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Mozart Research Paper

    • 484 Words
    • 2 Pages

    Also, he has written piano songs for symphonies, operas, solo concertos, chamber music, especially string quartets and string quintets, and the piano sonata, during the classical period. Furthermore, the classical period is between the baroque and romantic era, and approximately between the years 1750-1820. Also, Mozart was not only a pianist he also wrote many operas such as “The Magic Flute”, ‘The Marriage of Figaro”, “Don Giovanni”, “Cosi fan tutte” and many more. Additionally, Mozart has written many orchestras such as his most famous Eine Klein Nachtmusik.…

    • 484 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    The flute and oboe follow at m. 54 at the same pitch (E) as the first violins, except that the oboe is doubled an octave lower. The bassoons and low strings follow suit at m. 55 at the same pitch (G) as the second violins, but two octaves lower. At the start of rehearsal letter A, the flutes and oboes have the melody, repeating what the violins had just…

    • 806 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Also, tremolando relates to the tempo change, extremes of register ascending and descending sequences the cello and double bass therefore, creating syncopated rhythms. Overall the rhythm is driving and can be unpredictable in places, for example. Adding to this, the sonata form is uneasy as it seems the actual second theme appears in the development section instead of the exposition section as the first motif sounds as if it is being repeated and the recapitulation is just a repetition of the…

    • 1202 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    It is also regarded as the most technically challenging piano sonata. The title “Appassionata”, which means "passionate" in Italian, was added by the publisher. It was composed and dedicated to his close friend, Count Franz von Brunswick.…

    • 781 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Music Appreciation

    • 1013 Words
    • 5 Pages

    The baroque ages introduced instrumental music which were called sonatas, sonatas were written for 1-8 instruments and would have multiple movements. Another innovation was the usage of music becoming more popular outside the church, music was played in homes and palaces now. New forms of music were also introduced such as Baroque suit which is a collection of short movements that are written in the same key. Baroque music also reflects dancing as it is “dance inspired” when in terms of tempo, meter, and rhythm and is often written for solo instruments or small…

    • 1013 Words
    • 5 Pages
    Improved Essays