“The Cinnamon Peeler” is the another example of writing where the use of scarring is seen as a representation of his characters' experiences. In the instance of “The Cinnamon Peeler,” Ondaatje utilizes scars to physically show the impact of a deep connection between two people. The poem has romantic and sexual overtones and is from a man to his wife. The man discusses the connection that the two share, and speaks of how their bond and love is flaunted to the outside world. He continues to say that it is worthless to be left with no physical trace of her, “as if not spoken to in the act of love, as if wounded without the pleasure of a scar” (Cinnamon, 40-41). Here, Ondaatje's character illustrates how the scar is a concrete representation of the connection between him and his wife. He wishes to have this mark to show to others that they are in love. By juxtaposing feigned love and wounding without a scar, Ondaatje is stating that the impact of a real connection is complicit in the character's scarring. Thus, it can be seen that scarring is symbolic of the psychological experience that characters undergo. This is a positive experience that can scar one, but is an exception to the negative
“The Cinnamon Peeler” is the another example of writing where the use of scarring is seen as a representation of his characters' experiences. In the instance of “The Cinnamon Peeler,” Ondaatje utilizes scars to physically show the impact of a deep connection between two people. The poem has romantic and sexual overtones and is from a man to his wife. The man discusses the connection that the two share, and speaks of how their bond and love is flaunted to the outside world. He continues to say that it is worthless to be left with no physical trace of her, “as if not spoken to in the act of love, as if wounded without the pleasure of a scar” (Cinnamon, 40-41). Here, Ondaatje's character illustrates how the scar is a concrete representation of the connection between him and his wife. He wishes to have this mark to show to others that they are in love. By juxtaposing feigned love and wounding without a scar, Ondaatje is stating that the impact of a real connection is complicit in the character's scarring. Thus, it can be seen that scarring is symbolic of the psychological experience that characters undergo. This is a positive experience that can scar one, but is an exception to the negative