This proves true in This Side of Paradise when Amory begins to discuss his political views with a gentleman when on making his way to Princeton. He tells the gentleman that this is his first argument for socialism, stating that he is “sick of a system where the richest man gets the most beautiful girl if he wants her, where the artist without an income has to sell his talents to a button manufacturer.” (Fitzgerald, 256). As Foster states, most works include political commentary, but most are more subtle than the commentary used in This Side of Paradise. In a shocking turn of events, Amory also proves to be a Christ figure. Throughout most of the book, Amory is quite arrogant. However, Amory finds himself a changed man after his devastating heartbreak with Rosalind. No longer the conceited Amory of the past, he decides to frame himself for a crime he did not commit (Fitzgerald, 231). Christ figures, as noted by Foster, are self-sacrificing (129). Although not perfect, Amory willingly intervenes and takes the blame for a crime he did not commit, successfully preserving his friend’s image. As such, Amory qualifies as a Christ
This proves true in This Side of Paradise when Amory begins to discuss his political views with a gentleman when on making his way to Princeton. He tells the gentleman that this is his first argument for socialism, stating that he is “sick of a system where the richest man gets the most beautiful girl if he wants her, where the artist without an income has to sell his talents to a button manufacturer.” (Fitzgerald, 256). As Foster states, most works include political commentary, but most are more subtle than the commentary used in This Side of Paradise. In a shocking turn of events, Amory also proves to be a Christ figure. Throughout most of the book, Amory is quite arrogant. However, Amory finds himself a changed man after his devastating heartbreak with Rosalind. No longer the conceited Amory of the past, he decides to frame himself for a crime he did not commit (Fitzgerald, 231). Christ figures, as noted by Foster, are self-sacrificing (129). Although not perfect, Amory willingly intervenes and takes the blame for a crime he did not commit, successfully preserving his friend’s image. As such, Amory qualifies as a Christ