First, Bradbury uses figurative language to portray the negative view of technology on people. He uses similes to show how people are influenced. For instance, "But now these highways, too, were like streams in a dry season all stone and bed and moon radiance." Hence, this is displaying a fatalistic …show more content…
With attention to, the town's people are isolated. "...He would see cottages and homes with their dark windows ... light appeared in flickers behind the windows." This is explaining that the town is dim. The whistle-stop is subdued of life. No life springs the story to be more of a depressing mood. "The street was silent long and empty, with only his shadow moving like a shadow of a hawk in mid country." This constructs the mood to be sadder: for the reason that it shows the town is empty. "In ten years of walking by night or day, for thousands of miles, he had never met another person walking, not once in all that time." To emphasize, ten years is a long time for not seeing anyone. The people do not get-up-and-go outside: since they are consumed by indoor technology. No company gets mournful after a while, especially if you are lonely. Fewer people form a more melancholic life; which leads to a bleaker mood. Not to mention, the town is not lively. The root of life comes from people. The people stay indoors, so the life is gone. "...He was alone in this world of A.D. 2053." "...To enter into the silence...through the silences, that was what Mr. Leonard Mead most dearly loved to do." The world of people is so quiet and bland. He walks into the dead air; that is due to the mood of the people being morbid. In like manner, the town and the people are not welcoming. "It smelled of harsh antiseptic; it smelled too clean …show more content…
but also, symbolism affects the theme of true living is thinking, doing, and connecting with nature and people. Lack of communication influences the soul of humanity. The unfurnished road shows the inadequacy of expression. "He came to a cloverleaf intersection which stood silent where two main highways crossed the town." The people are not vigorous, so they are not bringing together with the world. Authentic living requires major disclosing. Mead shares many of his viewpoints on the lack of human interaction. His theorems are habitually cynical. The vague houses array embryonic life. The illumination makes a reference to connections; because aglow means doing. Lustrous is the anatomy of all liveliness. Energy can be anything; from breathing to getting up and moving. The general public is spiritless. The people do not even ascend their homes. "And on his way home he would see the cottages and homes with their dark windows, and it was not unequal to walking through a graveyard..." Mead is interacting with the world; consequently he is existent. "On this particular evening he began his journey in a westerly direction, toward the hidden sea." This walk presents Mead as living. Mead, in conjuncture with, talked with another being. "Leonard mead, he said. Speak up! Leonard Mead!" Countless amounts of people have not touched base with anyone. Mead accounts for connecting with nature and