Often the most important themes in literature are developed in scenes in which a death or deaths take place. In the play Othello by William Shakespeare, the death of the character Desdemona serves as the climatic breaking point where pervasive racism and sexism can no longer exist without resulting in detrimental harm to the involved parties. It is Othello’s prideful hamartia that, combined with sexism, is the catalyst that ultimately destroys both his and Desdemona’s life. In Othello, the cast of characters is subjected to the mounting pressures of sexism and racism without even realizing the detrimental effects it has on their lives.…
There are many instances in the play Othello where gender roles become significant. During Shakespeare’s time, men hold the power and women are perceived as weak and powerless. Also, women are expected to be submissive to their man by doing whatever he asks of her and this is very apparent in the play Othello. The role of women in the play, determines the plot and the fate of some of the character’s involved. The way Shakespeare creates these roles in the play, shows his culture’s beliefs of gender and equality during this time period.…
Therefore, there is more value in vengeance than virtue. In The Tempest Prospero aspires revenge against his antagonists. The whole story line of the play is Prospero seeking revenge on his brother for deserting him and his three year old daughter, Miranda, on an island. In the play it reads: "Let them be haunted soundly.…
Some critics argue that the women are in the play are represented by Shakespeare as proto-feminist, but this is proven not true when the women feel the need to rationalize all their decisions. This is shown when Desdemona raises her voice to back to Othello. It was stated that “women who raised their voices in public were considered to draw attention to themselves and make themselves sexually available” (Corporaal 99). Although Desdemona did fight back and speak her mind, Othello still punishes her by slapping her across the face. “Othello’s behaviour [is] “typical,” that is, as normal husbandly, manly behaviour” (Vanita 342), as no one knows any different.…
1. Although presented as amusing, Iago’s argument with Desdemona and Emilie on his criticism of women reveals the misogynistic attitudes against women at the time. 2. Othello’s honor as a military man leads to his downfall as Iago uses Othello’s desire to maintain his status to convince him of his wife’s adultery with Cassio and the plot to murder the alleged lovers.…
Women during the Renaissance were to be chaste, meaning that they couldn’t have had sex before marriage. To make sure that the women are chaste, there would be a white bed sheet that would be stained red if the women was still chaste. Desdemona cherishes the stained wedding sheets that she has from Othello. During her accusations that she is a whore and cheating with Cassio she asked Emilia to bring them to her in order to prove to Othello that she is chaste still chaste, “prithee, tonight lay on my be my wedding sheets, remember; and call thy husband hither” (Othello, pg. 136, ln 109-110). Since during the Renaissance, it was the custom to have a stained red sheet in order to prove that the women was chaste till the consummation of the marriage.…
Woman, a critical actor on the stage of life, is pressed to portray many roles—mother, wife, and caregiver. On the stage of Shakespeare, expectations are no different, save the added roles of trophy and sexual object, and when examined through a critical, modern lens, these stage roles become gender roles. In William Shakespeare’s tragedy, Othello, women are portrayed as the weaker sex through their characteristics and by the murderous ending of the tragedy. Alexander Pope said, “Most women have no character at all,” (Pechter 372). Shakespeare, however, emphasized lack of character as a grace for his female characters (Pechter 372).…
Throughout history, women have been oppressed and silenced. The oppression of women began at the start of civilization when a need for a hierarchy arose. Since then, men have almost always landed at the top of that hierarchy. This oppression of women exists all around the world today with societal gender expectations and Middle Eastern women not being able to show any skin in public, among many other things. The oppression women face has become more complex and underhanded as society progresses.…
Gloria Steinem once said, “Men should think twice before making widowhood women’s only path to power.” In other words, Gloria Steinem simply meant that in a society that have hindered women from realizing their true essence and their power that they hold equal to men, a man’s death should not be the only reason why society view women as equal and powerful as a man. People all over the world and throughout history have proven this quote to be true due to the fact that in modern society feminism was established in which women have been granted equality even without the death of a man being the solely reason. Feminism is a collection of movements and ideologies aimed at defining, establishing and defending equal political, economic and social rights…
Scene two of the plays in “A Tempest (Une Tempete)” by the author Aime Cesaire, has the same characters as The Tempest in Shakespeare 's play. It starts by telling us about the questions which Miranda asks her father because the ship is sinking, she believes that the person behind this disaster is her father, who is Prospero because he has the power to cause anything because of the magic which he holds. Prospero admits that he causes that, but no one in the ship is in danger. He does that on purpose because he wants to show her the power which her family owns. As he states, “I cannot leave you in ignorance any longer”, he does not want her to be blind from the truth anymore.…
In Shakespeare’s Othello women are clearly portrayed as inferior to men. The character of Desdemona clearly embodies this idea. Throughout the play she routinely submits to the will of her husband Othello, and is portrayed as mentally subservient, as a sexual object, and as a possession. These 17th century societal beliefs can still be observed working against women today in the mainstream media and in the workplace. Othello consistently dismisses everything Desdemona has to say, because he believes himself to be above the trivial thoughts of a woman.…
In this complex play written by William Shakespeare, The Tempest is about Prospero, a sorcerer and the rightful Duke of Milan, lives on an island with his daughter, Miranda. Prospero’s brother, Antonio took over his throne and set Prospero and Miranda adrift, and they eventually found themselves washed ashore on the island. Prospero summons a storm to wreck a ship bearing his old enemies near the island, and punishes Antonio and Alonso in multiple ways. Finally, Prospero confronts his brother and Alonso, and he demands that Antonio restore his throne. High school students should still learn The Tempest, because there are themes that are relevant today, characters represent ourselves, how influential language can be.…
The play, The Tempest is one of the many texts which allegorically represents various aspects of colonial oppression. The Tempest resonates with unusual power and variety. Prospero’s supreme control over the island and over the spirits of the island symbolizes his imperialistic nature within the play. Shakespeare presents the issue of imperialism through the character, Prospero as he has dominant power and control over the island and the original inhabitants. Parteni defines imperialism as “the process whereby the dominant political-economic interest of one nation controls other peoples’ land and goods for their own enrichment” (2005) and this can be seen in the tempest as Prospero uses his language and power to imperialize the original inhabitants…
Shakespeare’s play The Tempest, mentioned in Chapter 8, gives an important parallel to Brave New World. In The Tempest, Prospero and his daughter Miranda are exiled to an island where the only other person is a native named Caliban. Prospero takes control of the island and raises Caliban as a slave with an intent to civilize him. When liquor is introduced to Caliban, the liquor becomes his “God,” like soma is to those in the New World. Caliban resents Prospero for taking his home from him, but Prospero sees it as dumb and points to it as his bestial nature, which makes him treat Caliban even more harshly.…
The relationship between Prospero and Miranda is undoubtedly a strong one Prospero does however have strict control over several aspects of Miranda’s life, especially regarding aspect that are sexually related. The Tempest includes several events and encounters that might affect relationships that exist in the play, but there is one particular question regarding the one between Prospero and Miranda which is going to be explored in this analysis. The question that will be answered is how does Prospero’s relationship with Miranda changes during the course of the play? The play’s protagonist, and father of Miranda.…