Recurring images of time, romantic disillusionment and memory reveal the inherent tension between the actual and the possible in Eliot’s poetry. The Love Song of J. Alfred Prufrock dismantles idealistic romanticism and exposes the pessimistic perspective on life, love and time that is central to modernism. At the time of writing, in 1911, Eliot was twenty two years old, and was battling with a lack of lyrical inspiration. For this reason, critics have argued that Prufrock 's romantic hesitations are a version of Eliot’s poetic anxieties. Rhapsody on a Windy Night has a similar mood and setting to The Love Song, with the former additionally presenting how memory links the actual and the possible.…
“ That lift and drop a question on your plate. ”(Prufrock) “Time for you and time for me.”(Prufrock). He wants to ask a life changing to a girl but just doesn't have the courage to do so, he fancy’s this girl very much because he knows girls like that don't always come and go.…
By alluding to Hamlet in his poem, Prufrock recognizes that he plays a relatively unimportant, feeble part in the grand design of the world. The famous quote from Hamlet: “To be or not to be”, draws up a comparison between Prufrock…
He is not comfortable with how his life and he is even more uncomfortable in his own body. Prufrock, no matter how hard he tries, will always be seen as not only an outsider within society, but also an outsider within his own…
In one of Prufrock's most famous poems,“The love song of J. Alfred Prufrock”, the speaker takes the reader for a long walk down a dark and foggy path. The speaker seems to be indecisive and nervous to express himself; he is also depressed that women keep entering and leaving his life. Prufrock States, “And indeed there will be time/ to wonder, “Do I dare?” and, “Do I dare?”/Time to turn back and descend the stair,/ With a bald spot in the middle of my hair/For decisions and revisions which a minute will reverse”(6.1-5.NP). Prufrock uses stream-of-consciousness to explain the insecure state of the speaker in the poem.…
Prufrock also establishes the imagination of their future together and protects the worth of his London socialite status. “It is too late for him to change either himself or his world” (Blum). His let go creates his journey because of his changed emotions from pure lust to a mixture of infatuation and lust. Both Orwell and Eliot’s introduction of the exploit convey a comparable mood of serenity. Although, the mood in Nineteen Eighty-Four shifts multiple times throughout the novel, rotating between fear, lust, and adrenaline rush; Prufrock’s despair sets the poem to a uniform, peaceful atmosphere.…
Alfred Prufrock” critiques how the culture the main character lives in negatively affects his opportunity to be successful and happy. One critic blames Prufrock’s inherent flaws, mediocrity, and isolationism for his faults, however recognizes that because “Prufrock lives in a world that is no better than he is” he does not exclusively deserve all the blame (Ellis). One could argue that Prufrock would be much more prosperous and joyful had he not been surrounded by a society that encouraged meaningless conversation and misleading characteristics in order to appear of higher status or intellect. The other characters, although not named, play a pivotal role in proving this point; “In the room the women come and go / Talking of Michelangelo” (lines 13-14). These two lines are repeated throughout the poem, as Eliot’s extended metaphor is the comparison of these women to society as a whole.…
Everything learned about Prufrock is learned not from his declarations of "knowing", but from the way he makes his coffee "I have measured out my life with coffee spoons" (Eliot 51); and the way he debates whether or not to change his diet even the slightest bit "Do I dare eat a peach?" (Eliot 122); to the way he admires the women passing by and chatting "In the room the women come and go/ talking of michelangelo"(Eliot 13-14), but never actually speaks to them. All this reveals a great deal more about his life than his tale of walking "through certain half-deserted streets... Streets that follow like a tedious argument/ of insidious intent" (Eliot 4-8) late at night.…
In his poem he references communication and not being able to communicate his desires or his inner truths and knowledges to his peer. Exemplified in the quote “It is impossible to say just what I mean!”(104) Knowing the time period of this poem is crucial to the deeper understanding of the poem, having been published in 1915 subsequent to the first world war. Although prufrock is portrayed as slightly older than his peers (and may not have been in the direct line of battle) he is exemplified as a token of the modernist sentiment and a person who symbolizes the misunderstanding and anxiety during this postwar period; he is hinted at having served during the war. A way which we can discern hat he may have been a part of the wartime effort is his quote “To say: ‘I am Lazarus, come from the dead,/Come back to tell you all, I shall tell you all’”…
His poem places himself into the poem as a protagonist who asks a series of questions in a semi-free verse poem. Alexie has an aching wonder to know when…
Rather than make a comparison to a fish in a school, or a horse as part of a herd, Prufrock wishes he was a crab in a silent sea. Stating he wants the sea to be empty shows he wants to be alone. Why would somebody who is spending a whole poem talking about people and activities that involve multiple people, wish to be a crab all alone in an empty sea? By comparing himself to the crab in the silent sea, Prufrock shows how isolated he really is and that he is in no rush to end his isolation. Still consisting of physical isolation like in “Prufrock”, Eliot writes the poem “Rhapsody on a Windy Night,” which is about a single person traveling through city streets passing the night alone.…
In comparison, Eliot lent a decidedly more neurotic sense of self-doubt and deprecation to the character of Prufrock in his poem The Love Song of J. Alfred Prufrock. “Time to turn back and descend the stair, with a bald spot in the middle of my hair-(they will say: “How his hair is growing thin!”) Prufrock furthermore contemplates his circumstances as he ostensibly ponders aloud “Do I dare disturb the universe? For decisions and revisions which a minute will reverse”.…
Note that there’s a line repetition showing Prufrock’s indecision which is actually resulted from his anxiety. According to Ashley Miller, Anxiety is the result of Indecision where she quotes, “Anxiety serves a hidden function when it comes to indecision. Many people use anxiety as an excuse to avoid making a decision at all.” The lines also shows that Prufrock has an anxiety disorder which is one of the main reasons why Prufrock’s failure existed. This anxiety is the biggest obstacle of his success, which is why he’s not able to reach his goal easily.…
Alfred Prufrock, again the idea of the paralyzed society damned to constant repetition is present as Prufrock is full of self-doubts and pessimistic towards his future. The atmosphere with which he has to deal with disables him to declare his love to the unnamed woman and although he is aware of the possibility of personal fulfillment, he is afraid to act, unable to claim for him a more meaningful existence. He feels inferior not only to establish relationships with women but also to feel separated -the same as Harry- from a superficial society that only cares of appearance -which is shown with the details of the women- and to show off knowledge which is shown when women talk of Michelangelo and also when Hamlet and Lazarus are mentioned in the poem. With these characteristics of society, he wants to leave humanity and, as he is unable, he has to reluctantly accept his…
The last line also proves that Prufrock was still negative towards life. Even till the end, he has been thinking about negative stuff and would not seem to notice the bright light in the…