She’s adorned in miles of the finest fabrics, delicate laces, and a million bows. Her dress is trimmed with gold. There isn’t a thing about it that doesn’t proclaim regal grace and beauty. The queen’s hair is the finishing piece. It’s tall, decorated with exquisite feathers and what were probably France’s finest pearls. This 1778 painting was done by Louise Élisabeth Vigée Le Brun, one of the most important female painters of the 18th century (Rafter, 2005). After having been summoned to Versailles to be the royal painter, she actually befriended the queen and painted her more than 30 times over the next ten
She’s adorned in miles of the finest fabrics, delicate laces, and a million bows. Her dress is trimmed with gold. There isn’t a thing about it that doesn’t proclaim regal grace and beauty. The queen’s hair is the finishing piece. It’s tall, decorated with exquisite feathers and what were probably France’s finest pearls. This 1778 painting was done by Louise Élisabeth Vigée Le Brun, one of the most important female painters of the 18th century (Rafter, 2005). After having been summoned to Versailles to be the royal painter, she actually befriended the queen and painted her more than 30 times over the next ten