Memoirs Of A Geisha Sparknotes

The film “Memoirs of a Geisha” certainly Dion Beebe’s meaning of an “artistic film,” a film that utilises visual impacts to deliver a particular impression of time, place, and story.

For many viewers, Memoirs of a Geisha’s appeal lay in its remarkable representation of geisha life. Neither spouse nor a prostitute, geisha in pre-war Japan were greatly trained entertainers respected for their abilities in dance, music and discussion. The film celebrates geisha by clearly differentiating their job as art and not simply prostitution, but simultaneously discourages female individuality under the perspective of the outdated Japanese culture as well as female’s current social positions. Memoirs of a Geisha uses this stereotypical woman inferiority under traditional patriarchy to suggest Asian authenticity. They worked as social lubricant for businessmen who engage clients at teahouses. More effective ones also had a unique supporter, a financial supplier who was a longstanding lover. The director went to great extents of reconstructing the world of …show more content…
This aspiration to venture his actors in an extravagant approach presumably has to do with his experience in theater directing. In Marshall’s films, there are additional scenes with burn out or flare striking furthermore a substantial amount of backlighting and spot lighting. These lighting choices carry out the director’s image of appeal and beauty. When there is a musical or a dance piece fixated on one character, the lighting is a spot light. In regards to backlighting, Memoirs of a Geisha demonstrates this clearly. Another example of the use of backlighting is in the scene with the Geisha appearing in front of beautiful cherry blossoms that have a backlight that creates more contrast to the character in addition to making her glow. Marshall’s objective is to create the female leads more striking and angelic, almost like wearing a halo above their