A non-profit corporation, the Foundation is dedicated to the growth and success of Dréa’s Dream, a dance therapy/expressive movement program for pediatric and young adult populations in hospitals, special education classrooms and medical settings throughout the country. The Andréa Rizzo Foundation is the only 501(c)(3) non profit organization in the United States that provides grants that directly fund dance/movement therapy programming exclusively for children with cancer and special needs. Programs are led by registered Dance/Movement Therapists (R-DMT and BC-DMT). In addition, the Foundation funds expressive movement programs for the same pediatric population under the direction of dance professionals of the highest caliber.…
In the article called, “Five Premises for a Culturally Sensitive Approach to Dance,” written by Deidre Sklar. She discussed about the five premises that a person should know if they wanted to understand the culture of a dance. The article could help readers analyze the movement in a piece of dance and understand how it could be related to a culture. This essay will discuss about the Native American Sun Dance using three of the premises from Deidre Sklar. Those premises are one has to look beyond movement to get at its meaning, movement knowledge is a kind of cultural knowledge and movement knowledge is conceptual and emotional as well as kinesthetic.…
Of the African American dancers and choreographers, we have studied so far, I believe that they have broken out of traditional representations and stereotypes of black bodies. Examples of this are seen through major figures such as Katherine Dunham, Pearl Primus, and Alvin Ailey. Katherine Dunham was one of the major figures that helped break traditional representations. She was known as the “Matriarch and Queen Mother of Black Dance.” She was the director and founder of Katherine Dunham Dance Company that opened in 1932.…
Dance has long been a medium that represents American culture that is constantly evolving and Martha Graham and Frank Gatson Jr. are two of many choreographers that helped developing modern dancing in America. After watching a lot of videos on how different type of dances emerged in America, I found Martha Graham’s work appealed to me the most because of her expressiveness and intensity in movements. Brought up by a father who was a psychiatrist, her first lesson of dancing was, “Movement never lie. You will always reveal what you feel in your heart by what you do on your movements”.…
Dance as a profession is very hard on our bodies both physically and mentally. Personally, this is something that I ask myself every day, but I know that deep down inside that dance is what I live for. Twyla Tharp realized that if you create art and love dance, you’d best believe in yourself with no ulterior motives. It took her seven minute dance on stage to give Tharp the development backbone she needed to continue in the dance career. Martha Graham once said that it takes ten years to become a dancer.…
The author also explains the positive impact dancing and performing has on a person’s body. It keeps weight down, increases energy levels, and is an entertaining way to workout. Athletes and dancers use their physical abilities differently, but in a way at the same intensity level. This article will help me explain the important of a dancer’s body, for when dance pushes physical and mental abilities further than they know.…
Having done Cunningham technique it is posible to notice obvious similarities between ballet. Both class works on developing the desired aesthetics within body, movement grandeur and prevention of injury, for long lasting career. They share the same exercise like plies, foot work, arm exercises, different ways of brushing the feet, working out in turn out or parallel and many more. Ballet and Merce Cunningham dancers travell on the dance floor in similar patterns and ways. In both of the techniques equally important to have an understanding of how to engage the right muscles in order to dance safely and correctly.…
People are shaped by their surroundings. These influences come in the form of anything from elementary school teachers to religious awakenings, from mission trips to news articles. For me, these influences come in the form of dance, God, and opportunity. Unexpectedly, dance has made a major impact on who I am. Though I started at age three, I've been dancing at a Vaganova-style ballet academy for seven years.…
I found it showed my talents, where it seemed like I had not any other place. It seemed to become close to the point of an obsession, as I would lose myself in the rhythm of the music. All the hours put in dance were not in vain, however; rather, for every minute put in, became twice as good as before. My dance instructor noticed my talent and I was offered to be a part of the prestigious performance team. I felt the rush of energy shooting up as I considered the opportunity, only to have it quickly brought down, by a yearning in my heart for something even greater- even more than dance.…
I have appreciated dance for so long. After my freshman year of dance, I learned that change can be a good thing. So as I sit here and wait, all I can think about is how much this one room has changed me more than I ever thought it would in passed years. I can’t believe how much I have changed since I started dance in fifth grade. I have improved in dancing as well as being able to express myself and my feeling through movement.…
According to my birth certificate, I was born eighteen years ago on May 9th, 1997. While that statement is true, I would like to think that my life truly began only sixteen years ago in August. Generally, the month of August is not very happily anticipated due to the fact that school is quickly approaching and the calm, relaxing days spent outside are coming to an end. However, one particular August in 1999 turned out to be one of the beginnings for some of the best times of my life. Why is that?…
In dance, you learn quickly that without pure dedication and drive you will never be successful. While talent can come naturally, skill and technique only come with hard work. I spent countless hours in dance studios growing up, working tirelessly to hone these skills and perfect technique. A lifetime of dance taught me what it means to have discipline and dedication to a craft, values which I have also seen reflected in my clinical experiences. Medicine is a practice which calls for just as much discipline, dedication, and drive.…
As stated before in our first lecture, dance is a living and fleeting art form. I believe that dance is a living art form because it is a three-dimensional picture to art. What I mean by this is that, art is normally seen on walls or as sculptures, but dance is an amazing opportunity to view art while in movement. If you are anything like me, when I look at a painting of two people or many, I always wonder what it would be like to see them actually dancing, singing, or even laughing. By watching dance, it is my living art form.…
Merce Cunningham was born Mercier Philip Cunningham. He was born on April 16, 1919 in Centralia, Washington. His father was a lawyer and known for his work on the Centralia Massacre case. His mother was a world traveler and he described his mother as “an enormous energy and quite independent spirit” in his book, Merce Cunningham: A Lifetime of Dance. Merce Cunningham didn’t start dance at a really young age, he started when he was 12.…
MY DANCE YEARS I was very excited about my first ballet/ jazz/ hip-hop dance class. That I was only five- years- old and I was tall for my age. I walked into the dance studio i was scared at first to make new friends, I met my dance teacher, she was nice, her name was Janet. Then after meeting my dance teacher I actually made a friend on the first day of dance class.…