Who is Colleen Seid? Born on March 22nd, in the year, this changes quite often, sometimes it 's 1969, 1979 or 1989. It depends. This makes Colleen an Aries. So, who is Colleen Seid?…
She outlines the ways that the media portrays a generally unattainable model of beauty and that young…
Objectification is a term often used to describe how women are seen not as beings but as things. As John Berger describes in “Ways of Being,” women have historically been objectified by men. Much literature and academic essays have been written about the objectification of women; however, we can also see gendered politics in new media and art, as in Laurie Simmons’ new exhibition at the Jewish Museum, “How We See.” The exhibit explores how women are identified internally and externally, and how they are seen through both the male and female gaze. The exhibit and her photographs are unique and thought-provoking.…
Again, she submits to the male authority’s desire, Noonan is hero and victim and Stacy returns to her marginalized role as “a babe” (35) whom everyone wants to get a piece of—the objectified, sexualized woman, easily trapped and controlled by male…
Imagine looking at a painting on the wall and being instantly transported to another universe, one where there is no political divide, racism, or oppression. Through Lee Krasner’s Invocation, she transports the viewer away from the oppression created by society. Women during the 1960’s were unequal in the workplace to men. Stemming from the end of World War II where men were returning home from their tour of duty and demanding their jobs back. Even though this was slightly different than in the art world, where Krasner would have had to deal with critiques viewing her work as obsolete in comparison to her male counterparts.…
Sarah Projansky states, “All (…) is part of the spectacularization of girlhood in turn-of-the-twenty-first-century media culture: the discursive production and social regulation of the girl as a fabulous and/or scandalous object on display.” (p.6). The author interrogates the relationship established by the media between girls and celebrity by theorizing it as one of the specteculrization. She argues that the depiction of girl celebrity shapes our understanding of girlhood and celebrity respectively and how they are made spectatcular within media culture.…
The article, ‘Film Bodies: Gender, Genre & Excess’1 by Linda Williams explores whether the forms of sex, violence and emotion found in the genres of pornography, horror, and melodrama (specifically the woman’s weepie) respectively, are as gratuitous as my film scholars and critics believe them to be. Setting out to disprove this idea, Williams’ investigates and compares the form, function, and system of the three genres. Ultimately, William’s central claims reveal the value in the supposed excess of these three genres that benefit a spectator in a variety of ways. Seeking to argue her idea, Williams’ firstly uncovers why elements of these genres are regularly deemed as excessive. This is presented with the contrast of Classic Hollywood and…
Older actors are now joining the calls of other types of actors on how they are portrayed on films and television. As we have watched and seen Hollywood grow, the changes of the profession haven't always caught up with the times. Older women have suggested there aren't enough solid roles for them to play. African-American actors and Asian-American actors have echoed the same concerns. So perhaps this call of concern isn't as surprising as some people might think.…
The photograph, “The New Mothers”, by Sally Mann is not only a very contradicting photo, but is also viewed by many people to be a contradictory statement. The photograph appears contradictory because through this snap shot, Mann is stimulating the maturity of the children, and fostering the idea that all females will grow up to have a part in motherhood. Mann is challenging the global standpoint of femininity. It is an overall global view today, that whether you get married and then have children, or have children and then get married, most women will become a mother at some point in her life. Mann demonstrates several key elements in this photograph like the landscape, body language, focus, and the usage of props.…
In “Glamorous Witchcraft”, writer Rachel Moseley discusses her viewpoints on teenage witches, femininity, and feminism. Witchcraft, in her opinion, has been revealed as something glamorous over the years in the media. Many of the ideas associated with magic are linked with the feminine “allure” that seems to entrance many. There are multiple comparisons between the concept of what magic represents, and what femininity symbolizes. Both are related to power and charm, and are a perfect depiction of glamor in Moseley’s words.…
‘Where woman are investigated, men are tested. Masculinity, as an ideal, at least, is implicitly known. Femininity is by contrast a mystery” ( Neale,1993:19) Neale suggests here that there is a norm male perspective and look in visual media, that we have become so accustom to that we don’t question or explore the idea that masculinity is a construction. When is comes to discussing gender as a construction in visual media the female image which has been the main topic investigated by academics, the constructed norm of what it is to be masculine both inside and outside of visual media is rarely discussed.…
Acknowledging the contradictions between Legally Blonde’s fixation with an attractive appearance and feminism, according to Dole (2007, p. 63), feminist commentators do not agree that Elle would be a suitable role model. O’Leary states that the film, ‘becomes a subversive tool for motivating young feminists’. Columnist, Ellen Goodman, argues for many second-wavers, if a difference can be seen between the ‘new Hollywood message that women can be dolled up and successful’ and the earlier message that you’re only successful ‘if you’re a doll’ (cited in Dole, 2007, p. 63). While Legally Blonde and Miss Congeniality maintain sisterhood values and liberation. Gracie’s feminism is shown to be actively destructive, instead of being useful for women, possibly crueller than patriarchy.…
Women are much more than their looks and money, and in fact all of those attributes will fade with age as is shown in lines 24-25 “And yet that face her partial husband tires, / And those bright eyes, that all the world admires.” It is imperative that women focus on honing their skills and education because those ideas will not leave with the suppleness of their skin. This is the message of An Essay on…
But as time wears on and someone says something good about it, people follow like a herd and open their minds little by little. Judy Chicago’s The Dinner Party was thought to be untasteful, but the feminist movement of the 20th century sparked a reconsideration of gender roles (MindEdge 4.13). What is considered ideal beauty, and what is appropriate or not, can be seen…
Kirsty Fairclough-Isaacs posits that age is a popular topic of discussion in Hollywood; it is of great importance to female stars especially, who are extremely self-conscious of their age and the limitations imposed on them by this number (Fairclough-Isaacs, 141). The author describes how efforts are made to reverse the effects of aging and if this is successfully done then women are praised for successful aging; otherwise they are condemned for either overusing cosmetic repairs or not caring enough about their appearance (Fairclough-Isaacs,140-155). Fairclough-Isaacs suggests that beauty standards come into play when stars are assessed or judged and either accepted or rejected by society; they must stay abreast the constant struggle with age…