Film Noir derived from the cheap crime novel paperbacks sold in the United States, and the self-proclaimed meaning behind Pulp Fiction’s name preaches a similar effect: moldable, shapeless material contained in a book, somewhat like a mystery. However, Pulp Fiction is not necessarily a Film Noir, it shares many of the same aspects of such, but also incorporates elements that do not fit under the category. The primary film personas include Vincent, Jules, and Butch; they are all troubled, no stranger to crime, and disillusioned in their own way, however, as Trevor Lynch references in his analysis of Pulp Fiction, all three of these characters have a loyalty to something they place above anything else. In regards to Vincent, it is his desires, his desire to eat, use drugs, and other commonplace material desires of man. In terms of Jules it is his spirituality, and in terms of Butch it is his pride.…