Through a combination of physical and digital techniques, I created an image focused on construction workers framed inside of a mesh barrier. In this photograph, the cut-out hole in the mesh formed “the line separating the in from the out”. It clearly depicted the workers as the “in”, as the rest of the photograph is uninteresting and mostly featureless with one exception—the sign. I put considerable thought into the sign, which I almost decided to crop out as an unwanted distraction. But instead, I experimented with black and white settings, burn/dodge, and blur effects in order to reduce the sign’s presence. I found that, after blurring the text and eliminating color, the sign in fact contributed to the framing element. By explicitly instructing viewers not to enter the framed area, the sign further defines the “out” as described by Szarkowski. With some digital processing, the sign was changed from an imposing distraction to an essential compositional feature of the image. Because of the strong frame created by the cut-out hole, almost all of my classmates interpreted this image as frame—even with the potentially distracting
Through a combination of physical and digital techniques, I created an image focused on construction workers framed inside of a mesh barrier. In this photograph, the cut-out hole in the mesh formed “the line separating the in from the out”. It clearly depicted the workers as the “in”, as the rest of the photograph is uninteresting and mostly featureless with one exception—the sign. I put considerable thought into the sign, which I almost decided to crop out as an unwanted distraction. But instead, I experimented with black and white settings, burn/dodge, and blur effects in order to reduce the sign’s presence. I found that, after blurring the text and eliminating color, the sign in fact contributed to the framing element. By explicitly instructing viewers not to enter the framed area, the sign further defines the “out” as described by Szarkowski. With some digital processing, the sign was changed from an imposing distraction to an essential compositional feature of the image. Because of the strong frame created by the cut-out hole, almost all of my classmates interpreted this image as frame—even with the potentially distracting