Even though he was allowed in to be part of the family he was not completely accepted as a person. This is first shown when Peg is covering up Edwards scars on his face she says “The concealing cream goes on first. Then you blend, and blend, and blend. Blending is the secret”. At first this could be passed as a tip from the Avon lady but what she is really saying is that Edward needs to blend in.…
In the film Edward Scissorhands, there is a noticeable contrast between the town at the bottom of the mountain and the looming mansion at the top. Down in the town, the color of the houses is eccentric while the mansion seems dark and intimidating. Once Peg, the town saleswoman, enters the dimly lit mansion she finds Edward in the attic hiding in the darkness. This shows that he is most likely sorrowful and distant from the rest of the town. In Tim Burton’s other film, Charlie and the Chocolate Factory, lighting is used in almost the same way to introduce the chocolate factory.…
They bring their dogs to Edward for him to cut their hair; they also let Edward to change up their own hairstyles. His creation with his scissorhands amaze the neighborhood. In addition, Edward eventually realizes the ability of his scissors make him own the particular ability that makes him outstanding; they allow him to show off his distinct skills and becomes beneficial to the neighborhood. Edward’s scissorhands cause negative reactions toward him, however, it is a purposeful gift that make him stand out in the…
At first, Kim feared Edward as she did not expect to encounter him on her bed in her bedroom just as she gets home while she was doing her hair and because Edward was different from other people. Kim ran out of her bedroom screaming in horror, but after Kim got to know Edward and see what Edward has done for her town she started to fall in love with Edward even though he was a different being she didn’t really mind, she loved him all the same. Kim also able to hug Edward by carefully placing his scissorhands around her back so they could hug each other. Kim showed love for Edward within the movie in the scene where she asked Edward to come with her and her boyfriend Jim to Jim’s parent’s house to unlock the house but when they got inside Jim’s parent’s house Jim left Edward inside the locked down house as the alarm was triggered and Kim gets dragged into Jim’s van, she cries to Jim to help Edward get out of the house as his parents would prosecute him. Kim did not know that Edward knew that there was a possibility of getting into trouble with the Police by entering Jim’s parent’s house…
This leaves Edward to live with scissors as hands. A saleswoman, named Peg, finds him and takes him to her home. Although at first it seems that Edward is fitting in with the neighborhood, his abnormality begins to create fear in the neighbors. There are many themes and elements of gothic literature that appear in Edward Scissorhands. The characteristics consists of a dark setting, eroticism, and physical aberrations.…
Instead, Edward chooses to appeal to his audience's…
Everyone that lived in the cul-de-sac that the movie took place in was all very similar; everyone’s houses looked the same, they all left their houses at the same time and came home around the same time, they all enjoyed doing the same type of things. When Edward randomly shows up to the town they all want to befriend him and be nonconforming like him. The community quickly judged Edward because of his scars, pale skin, and of course his Scissorhands. Peg Bogg (the mother of Kim Bogg) brought Edward home and tried to get him to conform to their “normal human” rules, but they…
Burton, in Edward scissorhands, uses cinematic techniques such as lighting, camera movements, music, and editing in order to show the techniques how the moods changed as most people used him. In Edward Scissorhands, Burton used lighting when the whole neighborhood had light coloring except the mansion in the back which is where Edward lives. In addition, he also used lighting when Jim and Kim got Edward to help them break inside Jim’s father house and they just left him and when he was walking out it was dark but the lighting made his scissorhands look like knives when the police were flashing the lights on him. Another cinematic technique Burton used in the movie was camera movements. He used camera movements when he was doing some of the special things he could do with his scissorhands.…
Lighting/color plays a significant role in his films because it expresses the mood of the scene. In one of his films called “Edward Scissorhands” the scene is mixed between low-key and high-key lighting. Where high-key lighting indicates cheerfulness and happiness and low-key lighting expresses dark and sinister settings. For example, in the scene of the film “Edward Scissorhands”, when Edward first arrives at Peg’s house, everything is so bright and colorful, which makes Edward stand out even more since he is dressed in black and white. He seems like he would be the antagonist, but in the end he is the one with the biggest, kind and loving heart.…
In the consequential instances that follow, Edward remains an Outsider. He is always regarded as different in both instances, whether he was being admired or despised for…
Dead Again uses different lighting techniques to create dramatic contrast and a sense of mood in each scene. This is highlighted through the film noir scenes when dramatic high contrast was achieved by using two extremes of lighting, a lack of light and a heavy amount of light. This was especially shown in the opening interrogation scene. During the scene the light in the room was the only light source present and everything else was in complete darkness. In the scene the contrast was so strong that in order to be visible the actor playing Roman Strauss had to lean forward into the light source.…
It is human nature to fear the unknown, but, to quote Aldous Huxley, “there are things known and things unknown, and in between are the doors of perception,” regarding humans fearing the unknown. Tim Burton often enjoys taking a rather literal approach to by having his characters find entrances to new worlds. Burton is well known for his outcast characters and grim-but-innocent movies, but his settings often offer important lessons as well. Burton creates an unknown world and then throws his protagonist into it. The most common reaction from the protagonist is fear and confusion concerning the foreign land.…
The rest of the movie shows Edward trying to adjust to a life in suburban society that he’s previously only viewed from the confines of his home. Chaos ensues as Edward tries to navigate relationships with the array of people…
Lastly Tim Burton uses the cinematic technique in Edward Scissor Hands. The castle that Edward lives in is dark while the neighborhood at the bottom of Edwards castle is bright. I think that this should be opposite because the neighborhood people are snobby and dull while Edward is caring and kind. In conclusion Tim Burton uses lighting to emphasize the mood of a place, to separate reality from stories…
For example, in Edward Scissorhands, Peg enters the castle to see low key lighting giving the viewer a creepy and horrifying image. There were shadows and dark figures throughout the castle establishing an eerie and yet spooky surrounding. Victor, from Corpse Bride, lets go of the butterfly he was drawing the viewer follows the butterfly throughout the city, showing us the low key lighting in the alleys, giving us an apprehensious mood. In Charlie and Chocolate Factory, Charlie, Mike, Augustus, Violet, and Veruca walk up to the chocolate factory, the door and entrance was low key lit to give the viewer anxiety not knowing what’s on the other side. Unlike the low key lighting showcased in these films, the high key lighting gives a much more comforting experience.…