In each painting, both artists utilized various format and spacial techniques in order to portray different significant features within the space of the work. The artist of the Descent of Christ into Limbo painting used an overlapping technique in various areas of the painting, like in the central subject in the foreground where the viewer’s eye is initially drawn, in order to create more space and provide a third dimension within the work. Because of this overlapping technique, as the viewer, we can assume that Jesus is nearer to us than the character’s arm he is grabbing in the cave in comparison to the landscape in the middle ground which is overlapped in front of the distant background. The artist also portrays atmospheric perspective in his work, which is evident through his attention to bluish-gray hues and less clarity in the distant landscape, as
In each painting, both artists utilized various format and spacial techniques in order to portray different significant features within the space of the work. The artist of the Descent of Christ into Limbo painting used an overlapping technique in various areas of the painting, like in the central subject in the foreground where the viewer’s eye is initially drawn, in order to create more space and provide a third dimension within the work. Because of this overlapping technique, as the viewer, we can assume that Jesus is nearer to us than the character’s arm he is grabbing in the cave in comparison to the landscape in the middle ground which is overlapped in front of the distant background. The artist also portrays atmospheric perspective in his work, which is evident through his attention to bluish-gray hues and less clarity in the distant landscape, as