He aims in his commentary to make Cyrano’s morality a joke, and with that he reveals his patronizing nature, as if he is above such petty things as morals. In the use of the “three musketeers and Don Christ Quixote”, characters in literature who are renowned for their righteousness and morality, he brings Cyrano’s stance on fame and success to the level of those characters- admirable, but ultimately ridiculed and fictional. It is clear that he does not care much for the- to him, fanciful- beliefs of his companion and is considerably exasperated by the reluctance of his acquaintance to prosper. Le Bret is condescending and conceited in the extreme, in supposing that his ideals of prosperity are any better than Cyrano’s vision of a life free from the “dirty road to advancement”. He notes that Cyrano has great potential, telling him that he’d “wing up to the top”, but is unaware of the thing that he values the most in his art-
He aims in his commentary to make Cyrano’s morality a joke, and with that he reveals his patronizing nature, as if he is above such petty things as morals. In the use of the “three musketeers and Don Christ Quixote”, characters in literature who are renowned for their righteousness and morality, he brings Cyrano’s stance on fame and success to the level of those characters- admirable, but ultimately ridiculed and fictional. It is clear that he does not care much for the- to him, fanciful- beliefs of his companion and is considerably exasperated by the reluctance of his acquaintance to prosper. Le Bret is condescending and conceited in the extreme, in supposing that his ideals of prosperity are any better than Cyrano’s vision of a life free from the “dirty road to advancement”. He notes that Cyrano has great potential, telling him that he’d “wing up to the top”, but is unaware of the thing that he values the most in his art-