Preparation of derivative works
No one except the copyright owner has the right to adapt the underlying copyrighted works, usually, into another medium, without his/her permission. The author can if he/she so chooses can license other to create a derivative of his/her work. That derivative work can then be copyrighted, but that is dependent on the license of the underlying work. For example: A book cannot be turned into a motion picture without retaining a licensing from the copyright holder of that book (if, the copyright term has not expired) (Jamar, 2013; Kankanala,2012; Goldman, 2014; Grimmelmann,2014).
Reproduction
The right to reproduce enables the copyright owner to prevent others from reproducing his/her work in any form. The author can provide licensing for other to reproduce his/her work. Many everyday practices violate exclusive rights of authors photocopying a book, copying a file from the internet, or a ripping (copying) a c.d. to the computer (Jamar, 2013; Kankanala,2012; Goldman, 2014; …show more content…
This right is limited by the first sale doctrine under §109 (Jamar, 2013; Kankanala,2012; Goldman, 2014; Grimmelmann,2014).
Public Display
This right applies to graphical, sculptural, and pictorial works, including photos and most painting s that are, generally, produced in singular or limited editions. Both the creature of the work and the physical owner have rights, in this instance §109 ; the creature of the work has a right to determine how they want the work displayed publicly. For example, if Samantha creates as painting, it can be displayed at a public place only with her permission (Jamar, 2013; Kankanala,2012; Goldman, 2014; Grimmelmann,2014).
Public Performance
Musical compositions, plays, choreographed dances and like art forms and intended for public display and performance. Generally, the copyright owner has the right to control