As Rzepka examines her in relation to Marlowe’s virtuous characteristics he states that, “…she cannot abandon the ideals of fealty, chastity, and justice that define her chivalric identity—that is her identity not as a woman or a man, but as something more than a mere instrument of others’ needs and desires.”(715) Rzepka’s point portrays Mona as a “knight” like Marlowe rather than a sexual object or subject. This comparison of Marlowe and Mona in relation to the other female characters shows Mona as exemplifying characteristics that allow her to be seen as equal to Marlowe. He respects Mona. This stands in contras Carmen and Vivian, whom he respects very
As Rzepka examines her in relation to Marlowe’s virtuous characteristics he states that, “…she cannot abandon the ideals of fealty, chastity, and justice that define her chivalric identity—that is her identity not as a woman or a man, but as something more than a mere instrument of others’ needs and desires.”(715) Rzepka’s point portrays Mona as a “knight” like Marlowe rather than a sexual object or subject. This comparison of Marlowe and Mona in relation to the other female characters shows Mona as exemplifying characteristics that allow her to be seen as equal to Marlowe. He respects Mona. This stands in contras Carmen and Vivian, whom he respects very