Thus, the music is purely romantic, and if he had less success with vocal music, it is because vocal music excludes the character of been unanimous. I had no idea who Ed Harcourt was until I heard this score in a movie that I watched. And thou he didn’t speak a word I was compelled to find out who wrote this score. Harcourt manages to transport his listeners through a wonderful composition that leads to a growing progression and ends with an unsurprised climax. Nothing could be simpler than when a musician set the tone of a piece and delivered as expected. The unison of the cello and the trumpet is remarkably equal and leaves no room for surprises. It leaves the listener with a sense of accomplishment. The character development, between the cello and the trumpet starts with a restless longing, but ends with a quit sense of accomplishment. All the while the piano movement keeps a melodious subsidiary …show more content…
It could be easy to think that with these two instruments only sadness could arise. Most would not see what a trumpet and cello could have in common but from them we receive a sense of whole at the end of the score. The same can be said for the piano, which leads them through constant repetition of a pulse of 4:3:1, one after the other, which only increases the feeling of an imaginable longing that is waiting to reach the highest degree. The structure of the movements is constantly guided by the piano. The way they are linked together is working towards a single goal, a happy ending. The instrumentation assures the listener that they are in unisons with each other. Alas this assures the listener to achieve one single mood. All this is apparent by the connection between the cello and the trumpet. Their movements are in sync with each other and their goal is common. Lenard Bernstein once said, “music can name the unnameable and communicate the unknowable”. It is easy to understand how, like Sunday like rain score did just that. Even without words the music is organized in such a way that the ending comes as no surprise to the listener. The ending comes in like a beautiful sunrise, peaceful and tranquil. The unity of the instruments consistent through the